Just to note that William's hierarchical scheme does not include the
discourses of neuro-science --- which would have their own hierarchical
scheme, would they  not ?:

A. Philosophy of science
B. Theories of perception and the like
C. Specific experiments and investigations
D. Data gathered


Which might suggest that these two kinds of discourse can and should be
pursued separately.



                        *****************








A. At the top of this hierarchy I would place A Philosophy of Art. This
requires a comprehensive system of philosophical investigation developed from
some thesis or central argument aimed at the problem of aesthetics and
artworks.  In short, something of the magnitude of a lifetime work.

B. Next, A Theory of Art.  A theory would not necessarily require a
philosophy
to contain it but might involve an eclectic selection and looks to actual art
practice for establishing past and future validation. It aims at a wholistic
methodology for art and aesthetic analysis.

C. Next, Art/Aesthetics Criticism. This engages specific artworks and argues
at
length for or against their claims or reception through reference to art
historical examples, eras, and the like.  It may rest on Philosophical and
Art
Theory structures and traditions. The goal of Art Criticism is judgment.

D. Art/Aesthetics Journalism.  The aim here is to explain the content and
judgment of artworks to specific audiences -- from general to specialized as
required.

C. Art/Aesthetics Conversation.  Generalized  but purposeful, rigorous talk
drawing from all of the above, relying on personal experience, reasoned
opinion
gained from artworks and recognized sources. The aim is developmental, open
ended, insightful, brightened by friendly banter and blurtings, wit and ever
demanding inquiry.

You'll note that my hierarchical scheme implies a nesting of the types of
discourse such that each following type fits within the former, as a subset.
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