Speaking as a man-in-the-street,  I am no more concerned with the success or
failure of a museum of contemporary art than I am with the destiny of a
country club.

Although I was traumatized by the shuttering of the local Terra Museum of
American Art to suit the social ambitions of the founder's widow who wanted to
move it to the nation's capital.  But all is not lost!  This year, the Terra
Foundation sponsored  almost a dozen exhibits in various venues around the
city - and maybe this is actually a better way to serve an art hungry plebian
like myself -- as well as help support the hosting institutions.  What's
missing, of course, is a permenent collection in a permanent space -- but  I'm
really wondering whether  permancency is all that important.






In consolation to Miller, he will enjoy reading about the fiasco at LA MOMA,
where Director Jeremy Strick, a former Art Institute of Chicago curator,
managed to nearly blow a 50 million dollar endowment in less that 10 years.
Amazing.  But not surprizing since as a rule art historians are notorious for
their total lack of worldly sense.  Even the dumbest ordinary person knows
that
you don't spend an endowment but live from its income.  Apparently, according
to a front page article in today's NYTimes, Jeremy managed to raid the
endowment to show off his sort of contemporary art...and where were the Board
Members?  It's not only the artists who are dumb about money.  Score one, a
biggie,  for Miller's man-in-the-street common sense.
WC

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