And what is this statement based on -  I privilege no form over all others - I
just do not believe that because something does not reflect traditional values
it is any less then those that do - and that those that do are no more art if
they merely fulfill the traditional values and aspirations by employing
traditional  techniques. I privilege no form over all others because I do not
believe art has a form - I believe it is that it is a complex discourse
network that is both emergent and recursive - I believe art to be both
aesthetic and rhetorical  and  that it hypothetical, speculative and
constitutes a way of knowing  -  and while it "reflect the economic and social
circumstances in which an artist works - if their work  is successful it
continues to identify something the economic, social, and cultural
circumstances of its audience - what I do not do is fetishize art as a unique
endeavor devoid of competition or so qualitatively different from all other
endeavors by which we try to understand ourselves (science, philosophy, the
social sciences, the humanities)  To believe that the workings of art is
different from these things.We trivializes this endeavor when we reduce it to
a question of form, taste ,style, bio, spirituality, humanity, etc.   because
there is no knowing-no self-reflexivity  in these things -  and it is knowing
and self-reflexivity that I privilege - which is something you Chris seem to
know very little about and therefore privilege more tangible things - I do not
fault you in this - you know no better


On 4/27/09 8:37 AM, "Chris Miller" <[email protected]> wrote:

Nowadays, of course, plenty of work  is  made to "reflect the economic and
social circumstances in which an artist works".  That's the genre in which
Saul is a specialist, and which he would like to privilege above all others

--


____________________________________________

Saul Ostrow | Visual Arts & Technologies Environment Chair, Sculpture

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