I also like Sullivan's use of the term feudal to suggest servitude to some 
fixed rule.  I don't think it's possible to separate Sullivan's recreation of 
ornament from his architecture or his moralizing; in fact,  I think it was the 
central issue for him.  His ornament was an organic expression of life force 
organized by a rigorously rationalized geometric system, one that becomes 
effulgent in the best sense of the term.  Rather than being applied to 
architecture, his ornament produced architecture.  Some scholars (like Van 
Zanten) 

suggest that his ornamental concepts as shown in his drawings  were really 
incipient city plans so that not only the building but also the whole city can 
grow from them.  Sullivan was one of those who anticipated the 20C obsession 
for utopian society.
wc


________________________________
From: Chris Miller <[email protected]>
To: [email protected]
Sent: Saturday, May 30, 2009 2:31:52 PM
Subject: Architecture and Morality

So far, Frances' has not yet taken her discussion of "architecture and
philosophy" into the territory of moral philsophy, but that was where Louis
Sullivan's primary theme was developed:

"aspirant democracy" is the need or function;  "democratic architecture" is
the expression (or form).

Where Democracy is defined as "the altruistic activity of the Ego" (as opposed
to Feudalism which is selfish )

"Democracy is a moral principal, a spiritual law, a perennial subjective
reality in the realm of man's spirit. It is an aspiring power whose roots run
deep into those primal forces  that have caused man to arise from the elements
of earth, and slowly, through the ages to assume a rectitude and poise that
are of man alone"

"You may trace its vicissitudes, obscurations, perversions, decadences and
resurrections, its metamorphoses, disintegrations and reformations - but it is
not to be denied! ..and will surely find in its amplitude of organized
consummation a new philosophy of man."

I have a problem with this assertion because, as  we trace those vicissitudes,
one might well find that "the altruistic activity of the  Ego" is more endemic
in some societies  that have been called feudal (where so much is done out of
obligation) rather than  democratic (where so much is done for personal
gain).

And one of the first letters that was published in response to Sullivan's
attack on the immorality of  contemporary architecture questioned whether "a
man who makes a mistake in (aesthetic) judgment is as bad as a defaulter"
(possibly an unkind reference to the Sullivan's own bankruptcy)  "It may be
deplorable (to design a building of "bad character") but it gives us no moral
shock"

Or does it?  Clearly, Sullivan expressed moral shock about such things.

Are there any  "teachings of ethics or  moral philosophy" that Sullivan could
use for justification?

I don't know.

But if humans can be recognized as extraordinary  "copying machines"
(especially when we're young),  wouldn't it be harmful to establish a public,
permanent example of "bad character?"  (even if the right to do so should be
protected by law - and that protection is characteristic  of a democratic,
rather than a feudal, society)


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