I applaud  Micheal's new-found enthusiasm for the active voice, and would
propose that this is the most important choice in aesthetics - i.e. it's the
first fork in the road.

Those, like Frances, who are concerned with "what would usually be deemed" are
heading down the road to sociology or market research. While the other road,
taken by Sullivan, leads to an active participation in creativity -- as one
who either designs, commissions, or "preserves" things (to borrow a notion
from Heidigger)

"Utility",  as Sullivan understands it, is subjective, and as the
master-student premise student of "Kindergarten chats" would infer, his
subjective is more important than the reader's because he has mastered the
profession, while you, poor reader, are merely a grasshopper (as the late Kwai
Chang Caine would have put it)

Although, as Sullivan was becoming more utopian (as William suggested) he
would have been undermining his credibility, and his commitment to the
function of  public responsibility, which is a recurring theme found in his
writing.

Absent an expression of public responsibility, what remains is personal
whimsy, and that seems to characterize much of the architecture which has
"exploded in every direction and is accelerating at a quickening pace "  (and
thanks, Luis, for the fascinating links)


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