Reading Miller reminds me how wonderful it is to be a professor emeritus. 
wc
________________________________
From: Chris Miller
<[email protected]>
To: [email protected]
Sent: Tuesday,
June 30, 2009 7:54:20 AM
Subject: Trivial Pursuit

Is trying to match mystery
details to artworks really a trivial pursuit and
unworthy as art study except
to promote some fairly inane looking?  (as
William has asserted)

Following
the lead of Professors Immanuel Tingle and Joseph Immersion, I would
disagree.
Because familiarity is incremental -- and whatever enables it is a good
thing.
(Or -- at least  -- familiarity with things that are good, and, as I recall,
William, like myself, is willing to distinguish good art from bad, even if we
may disagree with each other as  well as with the canon)

Sending kids (or,
actually, anyone)  through a museum to look for the
fragments of great
paintings  sounds like a good idea to me -- much better,
say, than asking them
to write some pseudo-profound essay about the "real
meaning" of this, that, or
the other.






>There used to be a famous course at Columbia Univ.  where a
final exam
consisted of slides of details of artworks studied in the course.
Students
were expected to id the artist, etc., on the basis of the fragments
shown.
Sometimes, one finds students running through the museums with pictures
like
those Miller showed.  Their quest is to locate the mystery works.  None
of
this
trivial pursuit is worthy as art study except to promote some fairly
inane
looking.  It is a feature of canonical art study. (WC)
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