While I don't agree with Miller's position that his feelings as he
describes them are necessarily an aesthetic position or experience, I do think
that
the ability to describe clearly and accurately the feelings or sensations
of seeing a painting are an integral part of determining an aesthetic
position or experience. If one feels that describing this experience contains a
large part of confabulation,how many assumptions are contained in the
confabulation part of the experience. To start with, what is meant by
confabulation?
Kate Sullivan
