>I think all humans are universally sensitive to identify unity from disunity
in what they sense, but that would not determine their personal aesthetic
taste. (Mando)

What about your response to Chinese opera?

 If it's anything like mine,  it just sounds like a bunch of howling cats --
i.e. irritating noise, utterly lacking in the kind of  relationships that
would suggest a word like "unity" (or "music")

I would call that response  the result of my personal aesthetic taste (or lack
of it) -- and the same thing with your response to Manet's last painting.

Dutton, following Hume, would suggest that if Chinese opera could be
beautiful, then my response would be inadequate, and accounted for either some
cultural prejudice or lack of experience (I tend to love Chinese culture, so I
think it's the latter)

Similarly, if Manet's last painting is beautiful, then some reason would have
to found to account for your feeling that Manet got frustrated after he had
"added the center figure which had too much detail for a still life quality"
(which is the issue of unity, is it  not?) -- and after he had reached  "the
last straw", he abandoned it. (presumably as a failure)

I'm doubting that cultural prejudice of lack of experience would be involved
in your case, so I admit that I find your reaction quite puzzling.

Perhaps the only explanation is some "unfathomable personal preference" -
which is what I would  call Hume's "fudge factor".  Though,  as that has to be
used more often, his notion of the "general principles of taste" becomes ever
more disproven.


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