"A few others here, such as Mando and Boris,  follow the same formula for
credibility. They make aphoristic  assertions.  There's no logic, no argument,
no evidence, no persuasion. "

Throwing three of us in the same basket lacks credibility and logic plus
misinterpretation of everything I wrote.
Boris Shoshensky
To: [email protected]
Subject: Re: If I say a thing is beautiful, how can I convince you that
certain  p roperties of that thing are in fact beautiful?
Date: Fri, 13 Nov 2009 06:54:42 -0800 (PST)

What Miller now calls aesthetics is nothing but unexamined personal opinion.
If the question of aesthetics is simply reduced to unexamined and therefore
unarguable solipsistic opinions, then why even discuss the subject or even
mention it at all?  When something is so personal, so subjective, as to vanish
as a topic of inquiry even as it's mentioned, then it really doesn't exist as
something that can be discussed.  But Miller goes even further to equate this
unexamined personal solipsism as the only identifier of art (as opposed to his
use of the term "fashion"), which, if we dare to apply logic, requires us to
admit that art cannot be mentioned, let alone identified independently of the
solipsist.  The alternative to this dead-end sort of thinking is to argue that
there is some sharable, something public, about both aesthetics and art.  So
what is that?  One position is that the sharable elements are in the art
object or contained by a definition of
 aesthetic experience.  Another is that the sharable element is in some
cultural experience termed aesthetic; and the third position argues for an
organic relationship between the elements in the art object and the cultural
experience of it.  Miller's position is outside of any arena of discussion
because its authenticity requires absolute isolation, absolute solipsism.  But
this is his position on many issues.  He's quite content to defend it by
simply demanding that he is right.  A few others here, such as Mando and
Boris,  follow the same formula for credibility. They make aphoristic
assertions.  There's no logic, no argument, no evidence, no persuasion.  In
logic it's called the Appeal to Authority.  It has its self-serving place, I
suppose, in some fundamentalist religions, totalitarian regimes, slavery,
prisons, advertising, but the whole tradition of intellectual civilization, it
has no place.

wc


----- Original Message ----
From: Chris Miller <[email protected]>
To: [email protected]
Sent: Fri, November 13, 2009 7:58:35 AM
Subject: If I say a thing is beautiful, how can I convince you that  certain
p roperties of that thing are in fact beautiful?

But is this question really "a problem in aesthetics"  (as Kate asserted
yesterday) any more than "intelligent design" is a problem in biology?

Biologists are never going to convince creationists about the validity of
evolution, and they don't need to.  And creationists don't need to concern
themselves with biology.  Their concerns belong in a church, not a research
facility.

Just as those who dispute the physical basis of beauty should be studying
history or psychology or sociology or cognitive science instead of
aesthetics.

In Chapter 2 of "The Art Instinct" Dutton retraced the history of aesthetics
from Aristotle to Kant, demonstrating that they all recognized the existence
of the  beautiful object or well-written tragedy, and that recognition
continued into the 20th C. up until  post-modernism, where objects  no longer
have qualities, they only have interpretations.

But even our resident post-modernists believe that Mando is simply wrong when
he denies the aesthetic quality of Manet's  last painting. As you might
recall, Wiliam's first reaction to Mando's apostasy was to suggest that after
Mando had read the relevant literature (i.e. the interpretations) he would
doubtless change his mind. But eventually, when it became clear that
regardless of interpretations, Mando simply felt "Manet had lost it" ,
William
could only deride Mando's response as "truly funny".

So I have no doubt that  aesthetics will survive  post-modernist skepticism,
even as it survived the extreme doctrines of formalism.

It will just take people who are more interested in art than in following
intellectual fashion.


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