"Whether viewed as a language of the emotions, the metaphysical, the
irrational, or of the unconscious, the conviction of musics ability to
convey meaning, rather than to imitate or represent an external phenomenon
as was generally accepted during the seventeenth and eighteenth centuries,
lies at the heart of German Romantic aesthetics."

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ffsk04dqwQiGWtAqq_enEAW5WBsYu0eLNBV8BnzAt8IsRQWS9h1bEvcbjqGSAXb3BgtkrvUz0nuou
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