-----Original Message-----
From: Dominic McIver Lopes <[email protected]>
To: news <[email protected]>
Sent: Mon, Oct 29, 2012 2:14 pm
Subject: [AE] Fwd: Call for Papers: Hearing Landscape Critically -
Stellenbosch, 9-11 Sep 2013

Begin forwarded message:
From: Carina Venter &lt;[email protected]&gt;
Subject: Call for Papers: Hearing Landscape Critically - Stellenbosch,
9-11 Sep 2013

Date: 26 October, 2012 4:49:54 PDT

To: "[email protected]"
&lt;[email protected]&gt;

Reply-To: Carina Venter &lt;[email protected]&gt;


Call for papers:

Hearing Landscape Critically: Music, Place, and the Spaces of Sound

University of Stellenbosch (South Africa), 9-11 September 2013

bWe live in densely storiated landscapes [b&there are] song-lines, if
you will, joining place to place.b (Robert Macfarlane)

Landscapes are divided and dissonant sites of private and collective
being. They bear traces of present, past and future ambitions,
injustices, and interventions. And yet, their grammars and sounds,
whether intimate, commodified or instrumentalised, push at the limits
of theory and representation and simultaneously construct systems of
aesthetic, ideological, historical and political appropriation.

The second meeting of the bHearing Landscape Criticallyb network
(Stellenbosch University 9-11 September 2013) is concerned with finding
ways to articulate and listen to landscape that challenge established
patterns of cognition and intervention, and which probe the archival
and everyday silences and ruptures exacerbated by social, political and
intellectual intervention. Following the first meeting at Oxford
University, May 2012, the Stellenbosch symposium marks the continuation
of an inter-disciplinary and inter-continental project addressing the
intersections and cross-articulations of landscape, music, and the
spaces of sound. Whilst this symposium aims to bring together a
wide-ranging set of subjects and disciplinary approaches, contributions
concerned with the unique dynamics of music and sound in (South)
African landscapes are especially welcome.

The following themes are envisaged as central concerns:

*Spaces and sounds of power and politics: interpreting reservation,
academy, capital, legitimation;
*Spaces and sounds of contestation: how landscapes suture and structure
struggles of class, nationality, education, and race;
*Philosophical approaches to the spaces of sound: B transcendental
metaphors, the nature/culture debate, ontologies and epistemologies,
non-representational theories of musical and social space;
*Spaces and sounds of transformation/devastation: bjunk spaceb,
inter-state freeways, sprawling suburbs, shopping malls, non-places;
*Landscape as utopia, dystopia or heterotopia;
*Urban landscapes, or landscapes that confound simple urban/rural
divides.

Keynote speakers:
Prof. Richard Taruskin (Department of Music, University of California,
Berkeley)
Prof. Cherryl Walker (Department of Sociology and Social Anthropology,
Stellenbosch University)

All proposals should be emailed to
[email protected]&lt;mailto:[email protected]&gt;
(size limit = 5MB) by 18 January 2013. Please include name, affiliation
(if applicable), postal address, email address and AV requirements on a
separate cover sheet.
Individual papers (20 minutes) - abstract of no more than 300 words.
Panel sessions - describe individual papers and overarching theme in no
more than 500 words.
Alternative formats b describe your proposal (i.e. performance, round
table, film discussion, or whatever it may be) in no more than 500
words.
NB. Unfortunately, funding for travel will NOT be generally available
for delegates. However, there may be some funds for student travel
bursaries. If you would be interested in this, please indicate so on
your cover sheet.

Further information will be made available at the website:
"http://musiclandscapeconference.wordpress.com&lt;http://musiclandscapeco
nference.wordpress.com/&gt;

Sent on behalf of the organising committee of the Hearing Landscape
Critically network: Daniel Grimley (Oxford), Stephanus Muller
(Stellenbosch), Carina Venter (Oxford), Michael Uy (Harvard) and
Jonathan Hicks (Oxford)._______________________________________________
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