-----Original Message----- From: British Society of Aesthetics <[email protected]> To: news <[email protected]> Sent: Wed, Jun 12, 2013 10:24 am Subject: [AE] BSA 2013 Conference Programme & Call for Registrations
British Society of Aesthetics Annual Conference Homerton College, Cambridge, 20-22 September 2013 Registration is now open and the full programme is available at www.british-aesthetics.org/conference2013 The deadline for early booking is August 15. NEW FOR 2013: - Discounted fees for BSA members (eg B#42 off the full residential package) - Day delegate rates available - Three symposia, twelve invited papers, eight postgraduate papers The BSA provides a subsidised rate for students enrolled in masters and doctoral programmes. Keynote Speakers: Carolyn Korsmeyer (Buffalo, SUNY) Peter Railton (Michigan, Ann Arbour) The William Empson Lecture: Adrian Piper Papers: Margrethe Bruun Vaage (Norwegian University of Science & Technology), bHitchcockian Suspense and Moral Evaluationb Emily Caddick Bourne (ICE, Cambridge), bPoetic Justiceb Tom Cochrane (Sheffield), bPositively Ugly: Appreciating Revolting Artworksb Florian Cova (Geneva) and Naar (Manchester), bFiction, Belief and the Emotionsb David Davies (McGill),bNeo-Goodmanianb Aesthetics and the Problem of bFast Artb Iskra Fileva (North Carolina), bPlaying with Fire: Art and the Seductive Power of Painb Michalle Gal (Tel Aviv), bThe Artwork as Gesture: Picasso to Palestineb Louise Hanson (Oxford), bConceptual Art and the Acquaintance Principleb Andrew Huddleston (Oxford), bFinding Content in Absolute Musicb Nicholas Riggle (New York), bPersonal and Artistic Styleb Robert Stecker (Central Michigan), bAesthetic Autonomy and Artistic Heteronomyb Nick Zangwill (Durham), bMusic, Autism and Emotionb Symposia: bArt and Technologyb Bence Nanay (Antwerp/Cambridge), bPerceptual Demands of Technological Innovations in Artb; Katherine Thompson-Jones (Oberlin College), bAesthetics of Digital Imageryb; John Zeimbekis (Patras), bDigital Imagery and the Concept of Authenticityb bCreativity and Problem Solvingb Ken Gilhooly (Brunel/Hertfordshire), bCreativity: The Approach from Cognitive Psychologyb; Berys Gaut (St Andrews), bProblems, Problems, Problemsb; Matthew Kieran (Leeds), bCreativity, Conformity and Independence of Mindb bExperimental Philosophical Aestheticsb Shen-yi Liao (Kansas State) & Aaron Meskin (Leeds), bWhatbs the Matter with Aesthetic Adjectives?b; Hanna Kim (Washington & Jefferson College), bExperimental Aesthetics: Impossible Metaphorsb; Nina Strohminger (Duke), bThe Unstable Role of Disgust in Art Appreciationb Postgraduate Papers: Solveig Aasen (UCL) bPictures, Presence and Visibilityb Thomas Baker (Nottingham), bThe Fine Art of Beerb Helen Bradley (York) bMisrepresentation and the Significance of Styleb Filippo Contesi (York), bDisgust, Transparency and the Paradox of Fictionb Mojca Kuplen (CEU, Budapest), bIs There a Possibility for an Ugly Aesthetic Idea in Kantbs Aesthetics? Implications for Resolving the Paradox of Uglinessb Rafe McGregor (York), bNarrative Thicknessb Brock Rough (Maryland, College Park), bThe Special Problem of Interactive Fictionb Mark Windsor (Kent), bToward a Theory of the Uncannyb Programme Committee: Dan Cavedon-Taylor (St Andrews) co-chair Stacie Friend (Heythrop College, London) co-chair Cine Kelly (University College Dublin) Bence Nanay (Cambridge/Antwerp) Murray Smith (Kent) Dawn Wilson (Hull) Programme subject to change In addition to reduced conference fees, BSA members now enjoy a 20% discount off OUP and Routledge titles. Please see http://british-aesthetics.org/membership.aspx _______________________________________________ news mailing list [email protected] http://lists.aesthetics-online.org/listinfo.cgi/news-aesthetics-online.org
