Ummmm-another ominous part is when he starts to get into the idea of the
black mirror and magic and the occult. There was a review
at:http://www.ircps.org/sites/ircps.org/files/aestimatio/2/2005-03-01_Dupre.p
df ?which seemed pretty well balanced. The other thing is that this book was
published by Zone, which is the publishing house of Jonathan Crary, who thinks
of the act of seeing ? as being more or less ?influenced by culture. It did
seem to me ?that perhaps MAillet hadn't quite got onto the idea of the
picturesque which is?certainly ?a cultural way of seeing. ?



I haven't read the book, but I find its sub-title ominous:


The Claude Glass: Use and Meaning of the Black Mirror in Western Art
Paperback
by Arnaud Maillet

For me, it's always ominous when someone purports to supply "the meaning
of" something. "The use of" is fine if the author's aim is to convey how
people did in fact use it, and what they were hoping for. You're probably
already
aware of this "Goodreads" description on Google. (Most of the Goodreaders
comments are very fav orable.)

Goodreads:
In this first full-length study of a largely forgotten optical device from
the eighteenth century, Arnaud Maillet reconfigures our historical
understanding of visual experience and meaning in relation to notions of
opacity,
transparency, and imagination. Many are familiar with the Claude glass as a
small black convex mirror used by artists and spectators of landscape to
reflect a view and make tonal values and areas of light and shade visible. In
a
groundbreaking account, Maillet goes well beyond this particular function of
the glass and situates it within a richer archaeology of Western thought,
exploring the uncertainties and anxieties about mirrors, reflections, and
their
potential distortions. He takes us from the magical and occult background
of the "black mirror," through a full evaluation of its importance in the age
of the picturesque, to its persistence in a range of technological and
representational practices, including photography, film, and contemporary art.
The Claude Glass is a lasting contribution to the history of Western visual
culture.

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