Bill Unruh <un...@physics.ubc.ca> writes:
> > If you want to try a really cheap, but really working one: I have a
> > Behringer ACA222. Not good enough for the Pros and Studios, but I am
> quite
>
> UCA222. It seems more or less identical to the UCA202. And the quality is
> actually good. 16 bit 44.1 or 4800 (Note someone who tells you that you
> need
> 9600 or higher, and 24 bits does not understand sound at all--The 24bit
> might
> if you are really lucky, buy you and additional 15dB (3 bits) of
> headroom, but
> almost certainly the rest of your sound chain will add more than 15dB of
> noise
> anyway (preamps, amps, etc)) . The Behringer is very good and very cheap
> ( and
> sometimes you can be lucky that the two are not contradictory) sound
> card. And
> having usb rather than internal saves you from a huge amount of internal
> electronic noise inside the machine. The only "problem" is that the
> Behringer has RCA plugs, so you might need to carry around an extra
> converter
> cable or two.
> The other problem is that the headphone jack is high impedance, so some
> headphones (low impedance) would sound terrible with them.
>
> > happy with it. USB, stereo line in/out, headphone out. It's all I need
> for
> > simple digital recording and playback, and to bypass my laptop's
> inferior
> > internal soundcard.
>
> Yes. It is way better than those.
Thank you! That sounds like exactly what I was looking for.
No point in perfect killing off very good. Most of the sound
improvement one gets after the samples get wider than 16 bits per
channel is inaudible unless one has extremely good ears and the
sound source is free of noise.
Martin
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