Be realistic, demand the impossible.

In answer to Malcolm�s what do �we lack here to make things a bit more
happening�?  That�s pretty easy, responsive funding bodies that are not
out to instrumentalise culture -- bodies that recognise that culture
does not come about by a top down transaction, as if under some form of
Thatcherite competitive rationing.  Let�s stand back and recognise that
we�ve already lost an international film festival (NewVisions), and
more, to insidious haggling.

On: �The absence of a magazine for the visual arts which can be
critically distanced on the one hand, but partisan on the other has had
an effect on practice I think (which is not to belittle the  key role
for Variant in embracing viewpoints not given a platform anywhere else)
but to say we need more forums through the published medium.�

Firstly, we have to acknowledge that the SAC are about to put out to
tender for a Scottish Arts (Council) Arts Magazine via the �Visual Arts�
Department.  (So Malcolm might want to acknowledge a vested interest in
raising this issue at this moment in time.)  ScotInform have been paid
�60,000 for a consultancy to fabricate the tender for this magazine.  As
I understand it, ScotInform were also responsible for Stills Gallery�s
Lottery consultancy -- I think it�s fair to say on the basis of which it
went bankrupt, so you can judge for yourselves the �quality� of the
�tendering� process on offer this time.  

Just what are the institutional motivations behind this apparently
�spontaneous� (supposedly ahistorical) act?  Who benefits from such
novelty �innovations� within established power structures?  Can it
really be an attempt at opening up a range of phenomena for
investigation that have previously fallen between the cracks of
disciplines OR is it really about reproducing established relations of
power under the guise of reportage?  Once again, are not political
questions being disguised as cultural ones?

What would it mean if  an artist-run space were to be �put out to
tender�?  Is it not a blatant contradiction in terms?  Rather than the
tendency towards a narrow consolidation of mutual-self-interest (court
chronicling), it is essential that we retain access to alternative
possibilities and particularities.  (A decade on from the Tactical Media
Conference and with Geert Lovink�s impending visit, the excessive
control freakery over what passes as the cultural landscape today is a
damning inditement.)

Is the term �Visual Arts� even relevant to contemporary practice?  Is it
anything other than an academic and bureaucratic precinct -- a
description of the territoriality of �professional� managers and
cultural commissars?   I suppose its putative boundaries describe the
largess of public funding, and as such orientates what purports to
represent aspects of the field of cultural production.  But this is
raking over old coals, as the marshalling of sensual experience into
domains such as �Visual Arts� has been challenged elsewhere, long ago --
such as with the academic advent in the US of �Visual Culture�, which
again problematically has the ocular as its primary reference.

I agree we need more forums through the published medium: even
supporting/funding the ones that manage to exist (Matters, Product,
Portfolio, Variant, a raft of zines and self-published pamphlets,
etc...) AND encouraging new ones, would be a mark of cultural maturity
-- but such support for a diversity of independent publishing is not
going to happen, is it?  IS IT?

I suspect it�s going to be like watching fish thrashing around for
oxygen in a small muddy pool rapidly drying up in the midday sun...
again.  

Somehow my impending interview with WorkingLinks (third time lucky)
doesn�t seem too bad.

Leigh

PS
We're getting an article together for the next issue of Variant on
WorkingLinks and are planning to run a column of people's experiences of
them, of course in absolute confidence.  Please send items to the
address below, or get in contact if you would like to discuss it further.

Variant, issue 17 will be on the web site in the next few days.

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   Glasgow
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   +44 (0)141 333 9522
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   http://www.variant.org.uk

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