Deepa Mehta's Water wows Toronto fest

Arthur J Pais in Toronto | September 09, 2005 13:57 IST


Johnny Depp is, by all accounts, the most eagerly awaited star at 
the 30th Toronto International film Festival. But on the opening 
night on September 8, it was director Deepa Mehta who stole the show 
with her movie, Water, which inaugurated the film festival.
 
Water, starring John Abraham and Lisa Ray, is about the ill 
treatment of widows in the 1930s. It was initially supposed to star 
Shabana Azmi and Nandita Das, but the shooting in the temple town of 
Varanasi was abandoned five years ago following agitations by 
conservatives who did not want it to be shot there. 
 
At TIFF -- the film festival considered to be the world's most 
important one, following Cannes -- the limelight was all on Mehta. 
 
She is hailed not only making what Salman Rushdie says is a 
film 'unforgettably touching the heart' but also for not giving up 
her soul to the fundamentalists. Five-year-old pictures of the 
protestors burning her effigies in Varanasi are being published 
again in widely circulated newspapers like Toronto Star.
 
Some of the fundamentalists in Toronto and US cities began offering 
her 'friendly advice,' in recent weeks, she says. They suggested 
that the film should not be screened here because Americans and 
Canadians do not understand the complexities of Indian 
traditions.     
 
The influential Globe and Mail gave it three stars (out of four) and 
hailed it for its humanism and insights into the souls of its 
troubled characters. The two publications also had more than full-
page to interviews with Mehta.
 
Mehta, who made the film almost secretly in Sri Lanka, has given the 
film a bleak and urgent look. And she has not hesitated to make it 
as bold and threatening (to the establishment) as she had envisaged 
it five years ago. There are several beautiful and exhilarating 
moments in the film that stars a surprisingly solid Abraham as an 
idealist lawyer, Seema Biswas as a woman with a conscience, Ray as a 
rebellious widow and newcomer Sarala.
 
But Mehta has eschewed the conventional happy ending, and packed the 
film with the heart-wrenching scene of sexual abuse of a child. And 
she has done so without any melodrama, thus making the aftermath 
scenes even more shocking and startling in their conclusion.
 
As she continues doing the interviews, Mehta, whose film will be 
released in America by Fox Searchlight over a month from now, is 
sending a message to people of goodwill to see her film and see that 
the fundamentalist forces are morally defeated by their support.
 
At the end of the film, Mehta wants the viewers not only to go home 
having seen a fine, touching film but also remember the millions of 
widows in India today. They may not live in a segregated house as in 
the film or pressed into prostitution as the leading character in 
the movie, but nonetheless, they deserve homes and families of their 
own, is the filmmaker's message.                     

rediff.com








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