http://www.thestatesman.net/page.news.php?clid=19&theme=&usrsess=1&id=142662


Haunting melodies:
Gulzar saab and I have a common interest ~ inspiration from Sufi songs. It’s a 
pleasure working with him and it’s amazing to see him take on heavy work at his 
age
 
 Roja, Bombay, Taal, Lagaan, the Broadway musical Bombay Dreams, Rang De 
Basanti… AR Rahman is here to stay. Little needs to be written about Rahman’s 
achievements. He is news once again, this time for his compositions for Mani 
Ratnam’s Guru. Sneha Hazarika in conversation with AR Rahman.
 
 On the music of Guru…
 When we started work on Guru, I experienced a degree of restlessness, for I 
didn’t want to repeat the sounds heard in a musical I worked on ~ Alaipayuthey. 
I was in Toronto when I did the “scratch”. Soon after, I sent it to Mani, who 
liked it and called on Gulzar sahab to pen the lyrics. The first song was 
recorded in Toronto itself. Then I was asked to work on a love song. I began 
thinking on the lines of a Sufi number, one that had the feel of what Nusart 
Fateh Ali Khan did. And that’s how Dum dara dum dara was born. It’s dedicated 
to the Ustad, whose tenth death anniversary will be observed soon. Moving 
ahead, I had to visit Hong Kong to perform at a concert. The trip led me to 
visit a store selling musicals instruments. The idea of using the accordion in 
Guru struck. Usually I purchase keyboards. But this time I settled for 
something vintage and took time to learn the instrument. The sway of the 
accordion can be heard in almost all the tracks. And there is the Yaman
 kalyani melody I have tuned to the lyrics of Hazrat Amir Khushroo (modified by 
Gulzar). 
  
 On his favourite song in Guru…   Maiya Maiya
 I went to Haj year last year and heard a guy near the river who kept saying 
“waya waya waya”. I learnt that waya, waya meant water and felt it was an 
interesting sound, which is also very Indian. And so was born Maya maya. The 
interesting thing in the track is the Gujarati bit at the end. It was Mani’s 
idea.
 
 On replacing the song that has been picturised with Ash riding a bicycle…
 Mani said he wanted to shoot Ash’s introduction song in a sequence that 
featured her on a bicycle. Once I received the lyrics from Gulzar saab, it was 
set to to match the energy of cycling. Mani said Aishwarya would learn to cycle 
before shooting begins. Unfortunately she met with an accident… she fell down 
from the cycle and the song did not work out. Na na re replaced it. 
  
 On his association with Mani Ratnam
 It’s been an interesting journey. More than us, fans must be speculating as to 
what we are going to do next. Our thought process has the same wavelength. 
Whenever I see one of his shots, I take on the task of creating something 
different as a challenge. I guess he feels the same way when he listens to my 
music. In Guru we are dependent on each other. This time around the songs were 
ready before he began shooting. 
  
 On his rapport with Gulzar
 We have not worked together in many films but I think we share a good rapport. 
Gulzar saab and I have a common interest ~ inspiration from Sufi songs. It’s a 
pleasure working with him and it’s amazing to see him take on heavy work at his 
age.
  
 On Bappi Lahiri singing in Guru
 Mani wanted a “bhang” song. Incidentally I was at attending a music award 
ceremony where Bappida performed. I felt he performed beautifully. We wanted 
someone to sing Bolo Guru and Gulzar advised Bappida should be approached. His 
voice also suites Abhishek. 
  
 On his singing in Guru
 I can be heard on Tere bina and the theme song, Jage Hain. I can also be heard 
now and then on the other tracks.
 
 On singing for superstars
 Every time I sing, whether for Shah Rukh in Dil Se or for Abhishek in Guru, I 
feel my voice doesn’t match the stars. Only after listening to the recording 20 
or 30 times, I can convince myself about the performance. In fact, the first 
time I listen to the track after recording, I get shocked. With time I get used 
to it. Hopefully others don’t think the same way about the tracks (laughs). 
 
 Sampurn

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