A R R records abroad only if there is an urgency or if, for example, 
he is recording the Czech symphony orchestra and it costs more to 
hire 144 men and women to come and record in India than for him to go 
to Prague.. The mastering for all Indian projects is done at 
Panchathan or AM, all the programming usually as well.. 
If you see people recording in NY etc., it's because the mastering 
engineers are very good, and usually because the composers just 
happen to be there at the time..




--- In arrahmanfans@yahoogroups.com, Sarathy S <[EMAIL PROTECTED]> 
wrote:
>
>  
>   Usually a film unit would prefer to shoot scenes abroad be it 
songs or story demanding locations. But what is the need for Music 
Directors to either record or re-record sounds in abroad like arr 
doing in london, czech etc.. for indian movies...  when ARR himself 
owns a complete new hi-tech studio to international standards in 
Chennai. For that sake even other chennai music directors sometimes 
do record songs & bgms in abroad or other indian cities' studios when 
there are hi-tech studios in chennai itself. Why is this practice ? 
or What could be the fact other than reasons like chennai studios are 
booked for some other movie projects on the dates required. Coz such 
practice involve heavy expenditure for that producer ??  
>   
> 
> Mohd Nash <[EMAIL PROTECTED]> wrote:
>    
>                               It's official now. AVM came up with 
an announcement on Friday, the 10th of May on the release date of its 
next Magnum Opus production - Sivaji.
> 
> The worldwide release date has been announced as 31st May. 
> Generally, expectations soar high where Shankar's movies are 
concerned - it just got bigger with Rajini.
>         Sivaji will be AVM Productions' 168th movie. With Sivaji, 
Rajini's will be completing his century in Kollywood. Another 
interesting fact is, this movie is AVM-Rajini combo's 9 th venture 
together. Incidentally this is Shankar's 8th movie, which happens to 
be his lucky number.
> 
> If you suppose Rajini-Shankar-AVM combination is big enough, then 
think again. Because all the biggies in their respective fields of 
expertise have worked for Sivaji. Camera by KV Anand, art direction 
by Thotta Dharani, editing by Antony, dialogues by Sujatha, music by 
AR Rahman, lyrics by Vaali, Vairamuthu, Na Muthukumar and Pa Vijay 
and stunts by Peter Haynes just to name a few.
> 
> AR Rahman's hard work seems to have obtained the desired results. 
As Sivaji's songs, which are repeatedly broadcasted by all radio 
stations, are now the talk of the town. The movie's BGM and re-
recording, which have come out exceptionally well and far more 
superior have been done at London and Czech Republic's capital Prague.
> 
> Stunt master Peter Haynes' fight scenes have been made aiming at 
perfection. KV Anand has used the latest technology "Super 35 and 
4K." It is the first time that 4K technology is being used for a 
Tamil movie. Sivaji will also be the first Tamil movie to have more 
number of prints than ever before. According to the press release 
every teeny weeny bit of detail is taken care of. 
>     http://www.behindwoods.com/tamil-movie-news/may-07-03/14-05-07-
sivaji.html    
> ---------------------------------
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