Rahman
even showed his comic side when he made a thinly veiled barb at pop
music phenomenon Himesh Reshammiya. Telling the audience that he'd been
working and traveling a lot lately and had caught a cold, Rahman said
he told his doctor that he was concerned that he couldn't perform with
such a nasal voice.

"The doctor said not to worry - that's the 'in' thing," said Rahman.


:-)

----- Original Message ----
From: Anil Nair <[EMAIL PROTECTED]>
To: arrahmanfans@yahoogroups.com
Sent: Friday, June 8, 2007 4:08:23 AM
Subject: [arr] Oakland concert : Fan Frenzy Greets A.R. Rahman at Bay Area Show









  


    
            

http://www.indiawes t.com/view. php?

subaction=showfull& id=1181237002& archive=& start_from= &ucat=7



------------ -



By LISA TSERING

India-West Staff Reporter



OAKLAND, Calif. - Halfway through a lively show at the Oracle Arena 

June 2, A.R. Rahman put on the brakes, and took a moment to ask the 

audience to pause in their revelry.



"You are all in high spirits right now," the composer said 

softly. "But think about those who are in hunger, or living in 

poverty." Seated at a grand piano, he started to play the 

gentle "Pray for Me Brother," inspiring thousands of fans to wave 

their lighted cell phones in the dark, swaying to the music.



It was just one of many memorable moments during a three-hour concert 

that saw the sold-out crowd leap to their feet for his greatest hits 

from "Dil Se," "Taal," "Roja" and "Bombay," and newer, but just as 

distinctive, songs from "Rang De Basanti," "Water" and "Guru."



The show wasn't all Bollywood - when Rahman performed "Vaaji vaaji en 

jeevan si sivaji" and "Athiradee" from "Sivaji," the hotly 

anticipated Rajnikanth starrer due out June 15, his South Indian fans 

erupted in hysteria, gyrating in the aisles and screaming, "Sivaji! 

Sivaji!" A performance of the film's "Sahaana saaral" by Chitra and a 

young male singer got an equally enthusiastic response. 



>From the beginning of the concert, when the maestro appeared on a 

high riser at the back of the stage greeted by a fireworks display, 

to the ending strains of "Vande Mataram," his signature closing 

piece, A.R. Rahman led an unforced program that veered between the 

extremes of his prolific catalog, from haunting ballads to infectious 

rockers. Some of his musicians told India-West backstage that the 

song list hadn't been put together until the last minute, which lent 

an air of spontaneity to the show. 



Rahman is an unlikely megastar. Softspoken, humble and completely 

dedicated to his music, he spent most of his time onstage behind a 

large bank of keyboards, out of the spotlight, as his longtime 

musical director, K. Srinivas Murthy, led a group of Indian and 

Western musicians and percussionists.



The composer has always been willing to cede attention to his guest 

stars, who included ace guitarist Rashid Ali and University of South 

Florida music student Patrick Hernly, a gifted young percussionist 

who blew the crowd away with a virtuoso centerstage display of tabla 

bol. 



Vocalists Sukhwinder Singh, Hariharan, Chitra, Madhushree, Sadhana 

Sargam, Blaaze, Naresh Iyer and other talented voices, along with 

scene-stealing drummer Sivamani, got some of the best response with 

songs from "Guru," including sizzling versions of "Tere bina" 

and "Barso re."



But one of the major discoveries of the evening was Neeti Mohan, an 

extraordinary young vocalist who added sparkle to a version 

of "Guru's" "Mayya mayya" when she appeared onstage wrapped in a 

huge, voluminous, bright red length of silk. As she slowly turned, 

dancers unwrapped her to reveal a saucy belly-dancing costume, and 

Mohan, accompanied by two more belly dancers, writhed to the item 

number's Middle Eastern beat. Mohan, who is a trained dancer, singer 

and actress with a spot on "Coke [V] Popstars 2" and a role in the 

Sunny Deol production "Socha Na Tha" to her credit, is also the lead 

singer in a Mumbai pop band called Aasma.



"Rang De Basanti" produced some of the most exciting scenes of the 

night as Naresh Iyer teamed with rapper/lyricist Blaaze on the rock 

anthem "Paathshala/ Be a rebel," and Sivamani tore up the drums 

on "Khalbali" as dancers in shiny white bodysuits moved around the 

stage.



Hariharan, accompanied by Sadhana Sargam, lent a delicate touch 

to "Sapnay's" "Chanda re" and - since no Rahman show would be 

complete without it - turned in a haunting version of "Roja" in Hindi.



Sukhwinder excelled on "Ramta jogi" and his usual marathon version 

of "Chhaiya chhaiya," and was joined by Stanford University's 

talented a cappella troupe Raagapella on "Chan chan" from Deepa 

Mehta's Oscar-nominated film, "Water."



Naresh Iyer, too, got plenty of stage time on songs 

like "RDB's" "Roobaroo," performing a duet with Rahman on vocals.



Fans hoping for songs from "Lagaan," "Bombay Dreams" or "Jillendru 

Oru Kadhal," one of 2006's biggest Tamil soundtracks, will have to 

wait until Rahman's next show, as he deliberately left them out this 

time around.



Rahman's between-song patter was economical, at one time giving a 

brief mention to the fact that several of "Water's" songs had been 

shortlisted for a Best Song Oscar nomination.



He also mentioned his efforts to help bring the Taj Mahal to 

international prominence with a new campaign to add it to an official 

list of the New Seven Wonders of the World (as India-West readers 

know, Rahman has agreed to compose a song to spread awareness of 

New7Wonders. com, the New Seven Wonders voting campaign on the 

Internet). "Officially, the Taj is not a Wonder of the World," he 

said. "That's a fact. Ask your friends to vote for it on the Net."



Rahman even showed his comic side when he made a thinly veiled barb 

at pop music phenomenon Himesh Reshammiya. Telling the audience that 

he'd been working and traveling a lot lately and had caught a cold, 

Rahman said he told his doctor that he was concerned that he couldn't 

perform with such a nasal voice.



"The doctor said not to worry - that's the 'in' thing," said Rahman.



Rahman seemed genuinely touched when he learned that the City of 

Oakland had proclaimed June 2 as "A.R. Rahman Day" in the city, and 

warmly accepted a plaque from a representative of Oakland City 

Council President Ignacio De La Fuente.



This show was quite different in tone from Rahman's most recent 

California shows. His Hollywood Bowl performance last July (the first 

Indian concert in the venue's history) focused on more of a crossover 

international sound, with music from "Bombay Dreams" and the Chinese 

epic "Warriors of Heaven and Earth"; while Rahman's 2001 and 2003 

shows featured marquee names such as Udit Narayan and were more 

emotionally resonant, tending more toward romantic material and more 

sensitive solos at the piano than 2007's largely high energy rock 

focus.



Deepak Mehta of Mehta Entertainment, making his debut as an 

international promoter with this tour, and his brother, promoter 

Vinod Mehta, made special concessions to VIP ticketholders by laying 

down a red carpet in the VIP section, where guests sipped 

complimentary champagne.



"I feel proud of the show," Deepak Mehta told India-West 

afterward. "It was an excellent show, and to put this kind of thing 

on is not a small thing."



Mehta also mentioned that he will be bringing top-selling qawaali 

artist Rahat Fateh Ali Khan to Chabot College in Hayward, Calif., 

June 30. See www.MehtaEntertainm ent.com for details. 

:by indiawest

 

 



-A





    
  

    
    




<!--

#ygrp-mlmsg {font-size:13px;font-family:arial, helvetica, clean, sans-serif;}
#ygrp-mlmsg table {font-size:inherit;font:100%;}
#ygrp-mlmsg select, input, textarea {font:99% arial, helvetica, clean, 
sans-serif;}
#ygrp-mlmsg pre, code {font:115% monospace;}
#ygrp-mlmsg * {line-height:1.22em;}
#ygrp-text{
font-family:Georgia;
}
#ygrp-text p{
margin:0 0 1em 0;}
#ygrp-tpmsgs{
font-family:Arial;
clear:both;}
#ygrp-vitnav{
padding-top:10px;font-family:Verdana;font-size:77%;margin:0;}
#ygrp-vitnav a{
padding:0 1px;}
#ygrp-actbar{
clear:both;margin:25px 0;white-space:nowrap;color:#666;text-align:right;}
#ygrp-actbar .left{
float:left;white-space:nowrap;}
.bld{font-weight:bold;}
#ygrp-grft{
font-family:Verdana;font-size:77%;padding:15px 0;}
#ygrp-ft{
font-family:verdana;font-size:77%;border-top:1px solid #666;
padding:5px 0;
}
#ygrp-mlmsg #logo{
padding-bottom:10px;}

#ygrp-vital{
background-color:#e0ecee;margin-bottom:20px;padding:2px 0 8px 8px;}
#ygrp-vital #vithd{
font-size:77%;font-family:Verdana;font-weight:bold;color:#333;text-transform:uppercase;}
#ygrp-vital ul{
padding:0;margin:2px 0;}
#ygrp-vital ul li{
list-style-type:none;clear:both;border:1px solid #e0ecee;
}
#ygrp-vital ul li .ct{
font-weight:bold;color:#ff7900;float:right;width:2em;text-align:right;padding-right:.5em;}
#ygrp-vital ul li .cat{
font-weight:bold;}
#ygrp-vital a {
text-decoration:none;}

#ygrp-vital a:hover{
text-decoration:underline;}

#ygrp-sponsor #hd{
color:#999;font-size:77%;}
#ygrp-sponsor #ov{
padding:6px 13px;background-color:#e0ecee;margin-bottom:20px;}
#ygrp-sponsor #ov ul{
padding:0 0 0 8px;margin:0;}
#ygrp-sponsor #ov li{
list-style-type:square;padding:6px 0;font-size:77%;}
#ygrp-sponsor #ov li a{
text-decoration:none;font-size:130%;}
#ygrp-sponsor #nc {
background-color:#eee;margin-bottom:20px;padding:0 8px;}
#ygrp-sponsor .ad{
padding:8px 0;}
#ygrp-sponsor .ad #hd1{
font-family:Arial;font-weight:bold;color:#628c2a;font-size:100%;line-height:122%;}
#ygrp-sponsor .ad a{
text-decoration:none;}
#ygrp-sponsor .ad a:hover{
text-decoration:underline;}
#ygrp-sponsor .ad p{
margin:0;}
o {font-size:0;}
.MsoNormal {
margin:0 0 0 0;}
#ygrp-text tt{
font-size:120%;}
blockquote{margin:0 0 0 4px;}
.replbq {margin:4;}
-->





Reply via email to