*Rahman left his home to study music at Trinity College of Music, Oxford
University. With a degree in Western Classical Music, he returned to Madras
to join an Ad agency in 1987.

*Didn't Rahman get his degree thro distant learning? Correct me if am wrong,
friends.

Cheers,
Shahul.

On Jan 6, 2008 8:31 AM, $*$ PaVaN $*$ <[EMAIL PROTECTED]> wrote:

>   Happy Birthday BOSS.
>
> Below is the article on ARR's birthday from Zee News...nice one..
>
> -----------------------------------
>
>   The Mozart of Madras    *Mini Kumari*
>
> I have fought, argued, held eternal grudges against anyone who didn't
> agree with me over the greatness of Rahman, the Mozart of Madras. From
> buying the first audio release, to listening to his music all day long, it's
> after a long time that I sit to rethink and share my thoughts on the wizard,
> who weaves spells through his music.
>
> The name needs no introduction. It stands for melody, energy – a heady mix
> of modern and traditional form of music. It also symbolises the man who has
> stirred emotions of love, patriotism, and many unspoken feelings by his
> music. A tech-savvy musician, who mixes charms of musical notes with
> technology to create a new genre of listeners. A man who has gained
> international acclaims yet remains humble, truthful, with an air of
> innocence.
>
> Born A S Dileep Kumar, A R Rahman turns 42-year-old today.
>
> *Birth and personal life*
>
> Dileep was born in Chennai to Late R K Shekhar and Kasturi (now Kareema
> Begum). He was introduced to music at an early age and in a short span of
> time became the best-selling recording artiste ever surpassing Elvis,
> Beatles and Jackson.
>
> Being second among the 4 children, Rahman has three sisters, Rehana
> (Kanchana), Fatima Talat (Bala) and Israth.
>
> At the age of 29, Rahman had an arranged marriage to the beautiful, demure
> Kutchi speaking wife, Saira in 1995. They have three children, two daughters
> namely Khatija and Raheema and a son –Rumi.
>
> *Early years*
>
> Life is drama – true in the case of young Dileep, who lost his father
> while he was just nine years old. He became the sole breadwinner of his
> family by playing instruments in bands and lending the musical instruments
> owned by his father to various troops. A school dropout, this little
> precocious child soon became a touring tyro musician with tabla maestro
> Zakir Hussain and various other orchestras.
>
> Dileep converted to Islam at the age of 20. "My dad went through a lot of
> problems. He was sick and my childhood was a disaster… I spent most of my
> childhood in hospitals. There came a stage when the family was almost down.
> We met a pir sahab at that time. It is inexplicable. It just happened. My
> idea of God coincided with all this." Dileep became Allah Rakha Rahman, his
> mother Kasturi is now Kareema Begum. "Okay, this was something that was
> bound to happen", he says.
>
> Soon, Rahman left his home to study music at Trinity College of Music,
> Oxford University. With a degree in Western Classical Music, he returned to
> Madras to join an Ad agency in 1987. He wrote some 300 jingles for radio and
> TV commercials – winning several industry awards. He also released his first
> album of Muslim devotional songs, titled Deen Isai Malai and the English
> album, Set Me Free. Both went unnoticed in the market.
>
> *Rising from 'Roja' *
>
> The maestro's debut in the film industry came in 1992 at the age of 26.
> Director Mani Ratnam, approached Rahman to compose the score and soundtrack
> for Tamil film Roja. The music broke all the records and went on to become
> Time's top ten music tracks of all time. It also fetched him first National
> Film Award for best music direction, an award that was given for the first
> time to a debutante music director.
>
> The success of Roja was followed by Tamil movies like Bombay (dubbed in
> Hindi), Kadhalan, Indira, Minsaara Kanavu, Muthu and Love Birds, which
> gained him accolades even from non-Tamil fans who swayed to the freshness of
> tracks and cared little about the literals.
>
> Rahman's versatility in classical, folk, jazz, reggae, soft rock and other
> styles in his pieces soon made him stand out in the dull Hindi cinema which
> still used the quintessential 'dholak' for the 'taal' and was also reluctant
> to experiment with new technologies.
>
> It was maverick director Ram Gopal Varma's movie Rangeela, which gave
> Rahman his first break in Bollywood in 1995. Though the movie failed to
> create waves at box-office, people danced and hummed to the tunes of famous
> title tracks – 'Rangeela Re' and 'Tanha Tanha'. The film later went on to
> become Rahman's biggest hit and the most original score of that year.
>
> *A true experimentalist*
>
> Rahman has many a hit movie scores, some were even re-made in other
> languages.
>
> His prowess in South film industry is unparalleled. But his music score in
> Hindi films like 'Bombay', 'Rangeela', 'Dil Se', 'Lagaan', 'Yuva', Saathiya'
> and 'Rang De Basanti' are timeless. For each time you listen to a 'Tu Hi
> Re', 'Ae Nazneen Suno Na', 'Rangeela Re', 'Mitwa', 'Humdum Suniyo Re',
> 'Khuda Hafiz', 'Paathshaala' or 'Rubaru' it seems as if you heard a new beat
> or a new note, which was not heard last time.
>
> Unlike other music directors, Rahman's uncertainty of many a factor about
> his music makes his every releases worth the wait. He has tested the limits
> of playback singers and moulded them accordingly, even the untrained ones.
>
> Rahman had established singers like Asha Bhosle convey that titillating
> effect in 'Tanha Tanha' and brought out the warmth of Chitra's voice in
> 'Kehna Hi Kya' from Bombay. The song 'Jiya Jale' from the movie Dil Se, sung
> by ageing Lata Mangeshkar expressed restlessness and angst. The exuberance
> of Sukhwinder Singh's voice in Chaiyya Chaiyya sets the parties rolling even
> after completing a decade of its release.
>
> Rahman himself sang the new version of Vande Matram with Nusrat Fateh Ali
> Khan in 1997, marking the 50th year of Indian independence.
>
> *Rahman-Ratnam combo*
>
> Rahman who has worked with Mani Ratnam in at least nine movies – Roja,
> Thiruda Thiruda, Bombay, Iruvar/Iddaru, Dil Se, Alaipayuthey/Sakhi/Sathiya,
> Kannathil Muthamittal/ Amrutha, Ayutha Ezhuthu/Yuva, Guru; has always given
> chart topping numbers. The strength of the music of Dil Se made it the first
> Asian film to enter the UK Top 10.
>
> "Every time we work together it is like our first film. We understand each
> other perfectly", Ratnam quips.
>
> *Music is life*
>
> An otherwise shy Rahman lives, eats and sleeps music. The wizard who has
> made a record sale of 200 million cassettes worldwide is not bothered about
> the quantity, but the quality and the satisfaction that he derives out of
> his work.
>
> Rahman's personal studio, Panchathan Record Inn, which he started in 1989,
> was the centre of his learning and experimentation with different kinds of
> sounds. The studio was put out of use in 2005, after which he shifted to his
> new studio named as A M Studio. The new studio is considered to be the most
> developed, equipped and high tech studio of Asia. Rahman also launched his
> own music label, KM Musiq in 2006.
>
> Known for recording at night, when the world sleeps, he is dedicated yet
> doesn't fuss like other music directors. Rahman takes his own sweet time to
> compose songs and prefers recording in his Madras studio, which is a major
> hassle for Bollywood producers. Nevertheless the results are worth the
> trouble.
>
> The people who have worked with the genius have all praises for his sheer
> genius. Vairamuthu, the lyricist, with whom Rahman shares a special bond,
> said, "Rahman has some God given gift in him. He is like a rare pearl in
> ocean of music. When one composes a song he is always worried as to whether
> the song will click or not. But Rahman is one composer who does not care
> about the commercial success of the song. He is always confident that if a
> number is composed with a good heart and self-confidence it will be a big
> hit."
>
> *From Bollywood to Broadway*
>
> The maestro, who has created many an unending spells, holds a special
> place in the hearts of music aficionados across the world. Rahman got
> international acclaim in 2002, when he composed his maiden stage production
> Bombay Dreams, produced by Andrew Llyod Weber. He also composed the music
> for The Lord of the Rings theatre production along with the Finnish folk
> music band Värttinä. He has composed the piece "Raga's Dance" for Vanessa
> Mae's album Choreography.
>
> Rahman also composed the score for the Chinese film Warriors of Heaven and
> Earth in 2003. He composed the music of Shekhar Kapur's sequel to Elizabeth,
> Elizabeth: The Golden Age (2007) alongwith Craig Armstrong.
>
> Taking time out from his hectic lifestyle, Rahman has set up the 'A R
> Rahman Foundation' to eradicate poverty. This includes setting up and
> partnering with educational institutions across India to provide education
> to children who do not have easy access to schools or funds.
>
> *Awards and Recognitions*
>
> With a career spanning 16 years, Rahman has nearly 100 movies to his
> credit as a music director. He was conferred Padma Shri in the year 2000. He
> also has four National Awards for music directions, apart from other
> numerous awards conferred on him.
>
>
> Link :
>
> http://www.zeenews.com/articles.asp?aid=416810&sid=ZNS
>
>
>
> <http://www.mymailsignature.com/>
>
>
>
>
>
>
>
> <http://www.mymailsignature.com/?partner=ZGzeb001>
>
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