Vithur
We mentioned about the noble causes taken up fans more than once but 
unfortunately that didn't get featured in the article. There were a 
lot of things that we discussed about in that conversation but I 
guess there is a space limit and the reporter had to leave out a few 
things and this was one of them.

chandru...

--- In arrahmanfans@yahoogroups.com, Vithur <[EMAIL PROTECTED]> wrote:
>
> Gomzy
> 
> Was no mention made to the Times regarding our fans doing noble 
activities
> on a regular basis in Chennai. That should have been highlighted. 
It would
> have really made ARR feel proud of us
> 
> On Sun, May 4, 2008 at 9:02 AM, Gomzy <[EMAIL PROTECTED]> wrote:
> 
> >    The times of India, Blore edition. page 21
> >
> > Mad about Rahman, dil se These fans live and breathe A R 
Rahman's music,
> > finds
> > Sharmishta Koushik
> >
> >     It was the year 1992. The film Roja was released and with 
it, a new
> > music sensation blossomed in the Indian film industry, 
attracting droves of
> > fans, mesmerized by his melodies. Their chotti si asha is simply 
to have the
> > pleasure of listening to A R Rahman's music and perhaps, 
watching him
> > perform live, and if they were really lucky, say a few words to 
the musical
> > genius in person. Meet the A R Rahman Fans.
> >     What started off as an e-group, set up by Gopal Srinivasan, a
> > Bangalore-based consultant, is, today, a veritable database of 
all things
> > Rahman. From several media interviews to rare recordings of his 
tracks and
> > the inside information on when a new album will be released, 
these die-hard
> > fans are truly connoisseurs of Rahman's art. "The intent behind 
establishing
> > this group was straightforward — to use the power of the 
internet to network
> > with Rahman's fans around the world so that we could share the 
joy of
> > listening to his music. In many ways, it is Rahman himself who is
> > responsible for the popularity of this group — his music and his 
appeal
> > cutting across barriers. I am guilty of initially under-
estimating the
> > global reach of his music — little did we realize that we would 
have people
> > from so many countries across the world joining in," says Gopal 
Srinivasan. And
> > indeed, today, the e-group has over 13,000 members.
> >     On a rather sultry Sunday evening, a few members of the 
group in
> > Bangalore gathered in front of the rose garden in Cubbon Park to 
talk about
> > their passion. Quite befitting, considering that for most of 
them, their
> > love affair with A R Rahman's music began with the film Roja 
(rose), and
> > like his music, their devotion to his talent has only increased 
from
> > strength to strength. Says Kangan Upadhyay, who works in a 
software company,
> > "We heard the songs of Roja before they were officially 
released. And
> > although I didn't know the language, I could relate to those 
songs.''
> >     And she gives credit to the music director for her superb 
scores in
> > her II PU exam. "At that time, the music of Alaipayuthe was 
released, and I
> > kept listening to it all the time while studying. I scored 99% 
in Maths. I
> > kept humming the songs in my mind even as I was writing the 
paper,'' she
> > recalls with excitement.
> >     The way Rahman's compositions revolutionized Indian film 
music is
> > something the fans immensely respect. "He brought in a whiff of 
freshness,''
> > says Balaji Rajagopal, a chartered accountant. "He brought to 
Indian films a
> > sound which was, until then, only heard in jingles,'' says 
Chandrashekhar
> > Ganesh, a techie. "Earlier, viewers would walk
> > out of the theatre for a smoke when the songs would come on. 
Rahman's
> > music changed all that,'' says Gomtesh Upadhyay aka Gomzy, a 
techie.
> >     "He's even a good singer,'' says Vithun Kumar, a BE student. 
Adds
> > Shahnawaz Gaffoor, a techie, "His music is international.''
> >     Not surprisingly, Rahman's concerts are always a grand 
event, akin to
> > international acts performing in India. And these fans ensure 
they are there
> > to watch Rahman live. Most of them took off to Chennai recently, 
when
> > Rahman performed there for a concert organized by The Times of 
India. In
> > fact, it was during the 2005 concert in Bangalore when the 
city's fans met
> > each other in person. They volunteered backstage and even had T-
shirts
> > created especially for the event.
> >     Rehearsals are when they get to interact with the maestro. 
Some of the
> > members have even met him at his residence in Chennai. "Once, I 
went to meet
> > him at his place. As he was busy he told me to come the next 
day. He asked
> > me if I was a non-vegetarian. Since I wasn't, he ensured that 
vegetarian
> > food was ordered for me,'' says Prabhu Krishnamurthy, a techie.
> >     During the 2005 concert, they even gifted Rahman a montage 
of all his
> > album covers, about 94 — both film and non-film scores. It now 
adorns a wall
> > in his studio. And needless to say, if a fan wants to meet him 
at the
> > studio, those from this e-group are allowed right in. Rahman has 
even
> > dedicated a colouring book for children, released during the 
Pray For Me
> > Brother tour, to the e-group in November, 2007.
> >     The members definitely deserve such a token of appreciation,
> > considering they have taken pains to count the number of musical 
genres he
> > has explored. According to them, his music spans about 36-38 
genres.
> >     The Bangalore-based fans meet up from time to time, if 
someone gets
> > hold of the latest copy of Rahman's album or a rare DVD of his 
work. They
> > recently met to watch a behind-the-scenes DVD of the musical 
Bombay Dreams,
> > which shows Rahman actually composing some of the tunes.
> >     "We upload rare tracks on to the website. But it's strictly 
for
> > non-commercial and private use. We always buy the original CDs 
of his
> > albums,'' says Prabhu. "And, of course, we would be the first 
ones to buy
> > those albums on day one,'' says S Radhakrishnan, a techie. At 
times, members
> > have heated debates. An unresolved one is about whether Rahman 
was the first
> > music director to use a bass guitar in his compositions.
> >     What sustains their immense passion is not just Rahman's 
music but
> > also the person he is. As Radhakrishnan puts it, "He has never 
let us
> > down.''
> >
> >
> >
> >  RAHMANIACS: These fans are devoted not just to his music but 
also the man
> > behind it
> >
> > 
> >
> 
> 
> 
> -- 
> regards,
> Vithur
> 
> Whatever God wants to give, no one can deny; Whatever God wants to 
deny, no
> one can give. Be happy always
>


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