Okay he got this one right. He really seems to have enjoyed the album. Good
for him.

On 5/20/08, $ Pavan Kumar $ <[EMAIL PROTECTED]> wrote:
>
>    Review by one and only Mr.Joginder on JTYJN ..(Joginder...Plays it safe
> this time..)
>
> http://www.indiafm.com/movies/musicreview/12917/index.html
>
> ----------------------------------------------
>
>
> Would it be *Qayamat Se Qayamat Tak* once again with the arrival of *Jaane
> Tu... Ya Jaane Naa*? This is the first feeling one got the moment the
> first look of this Aamir Khan production was out. Marking the launch pad of
> his nephew, Imraan Khan, *Jaane Tu…Ya Jaane Naa* seems to be another
> innocent love story in the offering sans any unnecessary mush, hence going
> truly with contemporary times. With pretty girl Genelia D'Souza opposite
> Imraan in this campus flick and A.R. Rahman as the composer, this Abbas
> Tyrewala debut directorial venture (he also doubles up as a lyricist here),
> JTYJN, is a promising flick arriving this summer. Does the music hold up to
> the promise? The answer is - Yes!
>
>   *Write your own music review of Jaane Tu Ya Jaane 
> Na*<http://www.bollywoodhungama.com/movies/usermusicreviews/12917/index.html>First
> things first - when the best of the best of 2008 would be written down, the
> number '*Kabhi Kabhi Aditi Zindagi*' would definitely find a mention.
> Crooned by newcomer Rashid Ali who is being introduced by Rahman on
> Bollywood musical arena, the song is beautiful from the word GO, the moment
> guitar strings mark the song's beginning.
>
> Rashid's voice is just perfect for an actor who is being launched in a
> youthful romantic entertainer and the singer utilizes the big platform to
> the fullest. While Abbas' lyrics go truly with contemporary times, it is a
> nice change to hear a Rahman composition in a truly mainstream cinema rather
> than the historical/period/issue based films for which he has been creating
> music for quite some time now.
>
>
>   In true Rahman style, he gets together a bunch of singers for the track
> '*Pappu Can't Dance*'. Well, this is the track which is supposedly a spoof
> on Salman Khan's on and off screen image and has been making news in last
> few days. The song's beginning has a rhythm which has formed a part of the
> racy proceedings in the first teaser of *Jaane Tu…Ya Jaane Naa* that had
> kick started the film's promotion a few weeks back.
>
> Anupama, Benny Dayal, Blazee, Tanvi, Darshana, Satish Subramanium and Aslam
> come together to sing about this character called 'Pappu' who has seen all
> the riches in his life. Since the day he was born, he roams around in the
> best of the cars, has a body to die for, boasts of an impeccable style, but
> alas, can't dance to save his life. Hence the title - '*Pappu Can't Dance*'.
> A fast moving fun song, which has a campus setting to it and also appears in
> a 'remix version', 'Pappu' is a song which should be fun when watched on the
> big screen.
>
> It's a new sound at the very beginning of '*Jaane Tu Mera Kya Hai (Aditi*)'
> that hooks you on instantaneously. This very rhythm stays throughout this
> song which is crooned for the female character of the film, Aditi, by yet
> another relative newcomer Runa. If the song's haunting tune wasn't enough,
> the way Runa renders the track makes it one as the sad theme of the song
> conveys what the protagonist is going through. A number about a girl
> remembering the times gone by with the boy she loved, '*Jaane Tu*' is
> composed in a style, which is similar to that of '*Zara Zara*' [Rehnna Hai
> Terre Dil Mein] and hence can be expected to grow over a period of time.
>
> The song is later heard in a version meant for the film's male protagonist
> Jai and is titled '*Jaane Tu Meri Kya Hai (Jai*)'. This time around the
> beginning is even more somber and takes it's own time to reach the stage
> where Sukhwinder Singh comes around to hold the center stage. The pensive
> mood is conveyed well yet again though this time around the version is even
> more somber.
>
> Guitar is at play once again in the number '*Nazrein Milaana Nazrein
> Churaana*'. The best song to arrive after '*Kabhi Kabhi Aditi Zindagi',
> 'Nazrein*' deserves to be the next song in line for promotion. Packed with
> youthful energy, the number has a Rahman stamp all over it and goes in
> perfectly well with the film's campus mood. In fact just one hearing and you
> are sure to carry the number along for your next camp fire outing.
>
> Yet again, it's an array of singers - Benny Dayal, Satish Chakravarthy,
> Naresh Iyer, Darshana, Shwetha, Tanvi, Bhargavi, Anupama - who come together
> but never once does one feels like trying to find out the singer behind a
> particular line. A complete team effort which reminds of the number '*Sama
> Yeh Suhaana' [Goonj*] when it comes to it's setting.
>
> The album continues to become better with every passing song, especially so
> the moment the title song arrives. Surprisingly, instead of '*Jaane Tu…Ya
> Jaane Naa*', it is titled '*Tu Bole Main Boloon*', which are the opening
> words of the song. Sung by Rahman himself, the song is a funny take on how
> this guy and the girl have two different perspectives to everything, even
> though at the end what they mean is just the same! A bona fide jazz number
> with soft drums, saxophone and other associated musical instruments in tow,
> '*Tu Bolev*' has an international feel to it in the way it's entire
> arrangements are done.
>
> After a brilliant '*Kabhi Kabhi Aditi Zindagiv*', Rashid Ali returns with
> '*Kahin To Hogi Ho*' where he has Vasundara Das for company. Yet another
> beautiful number which carries an Indi-pop feel to it, this love song has
> such a serene feel to it that one can't help playing the number on a repeat
> mode. This is a kind of a soft romantic number that you wish to preserve in
> your iPod and play it your loved one at the first given opportunity. A
> brilliant number which makes it two out of two for Rashid Ali!
>
> The soundtrack here is unlike a conventional Bollywood score and instead
> introduces a style, which goes with the contemporary youthful setting. *Jaane
> Tu…Ya Jaane Naa* is an album, which deserves to be bought this season.
> With Jannat being the only album which is registering good sales and no
> other album from past or present matching it's performance on the stands,
> *Jaane Tu…Ya Jaane Naa* by A.R. Rahman comes as welcome relief.
>
>
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