http://www.rediff.com/movies/2008/nov/17slumdog-millionaires-music-isnt-about-india.htm

'*Slumdog Millionaire's* music isn't about India'

The Maharaja of modern Indian music, A R Rahman, has talent and vision the
stuff of legend, a unanimously recognized musical genius that comes around
once-a-generation.

So it was only a matter of time before Hollywood scooped him up and sampled
his skills; and that's exactly what happened, first in *Elizabeth: The
Golden Age,* the musical *Bombay Dreams* and now in Danny Boyle's
mega-hyped, Mumbai-based *Slumdog Millionaire*.

   - *Also Read: Slumdog Millionaire sold
out!<http://www.rediff.com/movies/2008/nov/17slumdog-millionaire-soldout.htm>
   *

As evidence of his rising celebrity, and to give you insight into the
creative process behind the beats of Boyle's masterpiece, we point you to
this interview from the prestigious pages of *New York Magazine* -- a
lifestyle mag known especially for its fashion/celebrity/arts/gossip
coverage, which always seems to be on the cutting edge of what's in, what's
cool and what's happening.

So, given the elite-ness of the publication, this brief QnA session
undoubtedly portends great things for Rahman's Hollywood future. And it
appears a more comprehensive future is indeed likely.

In the interview, an effusive Rahman has nothing but kind words for
director, calling him not only a fast worker and humorous, but also a 'good
human being.'

   - *Also Read: **Making Slumdog Millionaire truly
Indian*<http://www.rediff.com/movies/2008/nov/12making-slumdog-millionaire-truely-indian.htm>

Explaining the differences between working for Hollywood and Bollywood,
Rahman says, 'There's not many cues in the film. Usually a big film has 130
cues. This had just seventeen or eighteen: the end credits, beginning
credits, that stuff.'

He went on to say that, 'It took two months of planning, two weeks of
completing. Usually it takes six months with the musical films I'm doing in
India.'

But does the film's music, which is earning near-universal praise from
critics, paint an accurate aural portrait of Mumbai? Rahman believes that,
'The soundtrack isn't about India or Indian culture. The story could happen
anywhere: China, Brazil
[Images<http://search.rediff.com/imgsrch/default.php?MT=brazil>
], anywhere. *Who Wants to Be a Millionaire* is on in every damn country.'

Yes, really and truly, it appears that the West has woken up to India. We
have a feeling Hollywood isn't quite finished with the uber-talented Rahman.
So stay tuned!

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