'We don't have a music industry'

Indo-Asian News Service

Monday, December 15, 2008 (New Delhi) 

Music legend A.R. Rahman's Golden Globe nomination for Best Original Score in 
British director Danny Boyle's film "Slumdog Millionaire" has brought 
much-needed cheer for the Indian music industry in a musically lacklustre year.

The good news comes at a time when the Rs.7.3 billion Indian music industry is 
plagued by piracy, struggling to keep pace with technology rapidly changing the 
way music is consumed, facing competition from mushrooming of radio channels, 
and with movie content taking precedence over all else. 

Only Jaane Tu... Ya Jaane Na took an opening because of the popularity of its 
music album this year. Karzzz came in close second, though the musical 
classic's original score dominated the entire album of the remake. Even audio 
CDs of Rock On started moving off the racks after the film hit the screens. 

Some hit songs did accompany films like Race, Singh Is Kinng, Jodhaa Akbar, and 
Kismat Connection, but a slew of niche movies that had little or no music at 
all went on the marquees, something that was unthinkable some time ago. 

According to a trade weekly, film music has hit rock-bottom in its importance 
this year.

Last six releases - Oye Lucky! Lucky Oye!, Sorry Bhai!, Maharathi, Meerabai Not 
Out, Oh My God!! and Dil Kabaddi had only tentative music turning away from 
over six decades of tradition whereby great or hit music helps get films good 
openings even if they plummet later or ensure a repeat value, stated the 
weekly. 

Just released music of Hollywood-Bollywood co-production Chandni Chowk To China 
is also not much to write home about. The music seems more gimmickry, which is 
good for a comic thriller but not so good for selling copies of the record. 
This leaves the above-average track from Aamir Khan's upcoming Ghajani to 
continue leading the pack.

The score of this week's much-awaited release - Rab Ne Bana De Jodi - does not 
disappoint, but is nowhere close to the magic created by Jatin-Lalit in 
filmmaker Aditya Chopra's previous cinematic offering - Dilwale Dulhania Le 
Jayenge. 

Haule haule... by Salim-Sulaiman in Rab Ne... has emerged as the pick of the 
lot while Phir milenge chalte chalte holds attention only on account of its 
five guest appearances. 

Composer Salim Merchant laments the film music's domination of Indian music 
scene. 

"We don't have a music industry here, just a film industry. All our films are 
musicals and just Bollywood forms a major part of our music industry. We need 
young talent if we want to help grow this industry better," Salim said. 

"Ironically, few youths learn to play musical instruments today nor are there 
many to learn western classical music. We have very few orchestras, which is 
one of the major reasons for the current talent crunch. Our educational system 
also needs to change as we have only a handful of educational institutes and 
music schools in the country," he said. 

Added Sulaiman: "Music has changed because there are very few people who want 
to take risks. Today, music is the face or first impression of a film. So, 
directors and producers don't take any risks and want numbers that not just 
popularise their music but also pull in the audiences. Hence, a talented 
musician will not be able to do a good work, but do what the producer demands."

The music industry in India also needs to keep pace with rapid technological 
changes. 

"The music CD industry in the country is around $150 million. Technology has 
changed the way music is consumed today - from huge records to iTunes on one 
hand, and music fused with other forms of content and entertainment on the 
other hand," said trade observer Anurag Batra. 

But the changes also present opportunities. 

"Today, the shelf life of music has become very short. Bollywood forms a 
significant part of our music industry, but multiple players can survive and 
make money in this industry," said Kulmeet Makkar, CEO, Big Music & Home 
Entertainment.

Here is hoping that the lessons learnt this year lead to increasing 
digitalisation of music, concerted attempts to curb piracy and most importantly 
infuse new talent.
http://music.ndtv.com/story.asp?id=ENTEN20080076504


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