Can Music maestro Rahman do it this time around ?

When the director of the film SLUMDOG MILLIONAIRE, Danny Boyle, which
has been nominated in 7 categories for the Golden Globe Awards, claims
that it is Rahman who, according to Boyle fancies chances of wining the
Golden Globe in his category than any in any other category, it sure is
a monumental achievement for the musical acumen of Rahman.

If
there is one music director who has whetted the appetite of the Hindi
music lovers, and has provided an exposure to songs based on Western
classical tunes, but arranged to create an appeal of enigma on the
sensibilities of the Indian audience, Rahman is the person. From the
time when he made his debut with ROJA up to YUVVRAAJ, Rahman has gone
on to explore new frontiers of Western music through his oeuvre. His
latest exposition YUVVRAAJ testifies to the same, as he provided a
window to the average music aficionado of India to understand the charm
that is evoked when the strings of a bow play on the cello.

He is also one music director who has literally cast spell on whole of
the country, as his proficiency is expressed through music that he
gives in Tamil, Telugu and Kannada films. As a matter of fact, the
music of ROJA when it was released in Hindi was the same but with the
lyrics being translated into Hindi. From this perspective Rahman could
be credited as providing voice over to the music, as it is happening in
the case of films being translated from one language to another to
reach a large audience. Rahman did the same for the cause of music.

Few
of us would also know that Rahman himself has started a school to teach
the younger generation about the finer nuances of western music and has
the desire to conduct an orchestra with his students.

He has
also this innate quality of introducing unconventional voices, and one
of the celebrated examples of this association in between Sukhwinder
and Rahman. It was Rahman who had unleashed the vocal prowess of
Sukhwinder through DIL SE and it is this combination which is on an
upward trend in all the music charts around the world, through the song
JAI HO, which is a song with a lot of thump. It could be owing to the
quotient of thump in the song that it has caught the imagination of the
western audience as well, and has catapulted this song as one of the
great hits.

Rahman has been scaling new frontiers in the music
that he gives to films in Hollywood, and other places, owing to the
fact that he gets ample latitude for experimentation. It is owing to
the fact that one does not burst into a song as it happens in the Hindi
films, and this provides him sufficient scope to further improvise the
output. Let JAI HO create a new frontier for the Indian music, more so
that is of a popular variety, and belongs to popular genre.


http://www.glamsham.com/movies/features/08/dec/23-can-music-maestro-rehman-do-it-this-time-around-120809.asp


Krish.




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