A. R. Rahman rules the globe
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  January 13, 2009 11:44:20 AM IST
Bollywood Trade News Network
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It was SLUMDOG MILLIONAIRE Shining all the way at Beverly Hills with the
much feted film winning four Golden Globe awards on Sunday night. The haul
had a particularly sweet note for India: music composer A R Rahman became
the first Indian to win the 66-year-old prize, a momentous fact acknowledged
in his acceptance speech when he said, 'I wanted this award for India.'

The engagingly shy maestro - whose hit numbers for the movie, 'Jai Ho!' and
'Ringa Ringa' are scorching global charts -- has his fingers firmly crossed
in the hope that the Oscars in February will be a repeat show. It's not an
unreasonable hope -- many Globe winners also pick up Oscars. The movie has
won 64 awards so far, a few more from the Academy that matters would
certainly be sweet music to Indian ears.


Ironically, the movie has still not been released in Indian theatres. When
it does open on January 23, Indian audiences will find much that is
familiar. The plot is almost standard Bollywood masala, albeit shot with
Hollywood sensibilities. While sticking to the basic premise of Vikas
Swarup's book, Q&A, about a slum lad serendipitously winning a quiz show,
the film also diverges exhilaratingly, introducing an elder brother with
gangland connections, and rewriting the lost-and-found scenario with the
childhood sweetheart. Actor Anil Kapoor, who plays the quiz show host,
recently told a TV channel that SLUMDOG was like one of the 1970s Amitabh
Bachchan-Shashi Kapoor starrers. He's right - except that it's the good
brother who's the protagonist, not the anti-hero.

SLUMDOG is also very different - not least in its up-close look at the
poverty, squalor and cruelty of Mumbai's underbelly, rendered particularly
horrifying because of the matter-of-fact way in which it is shown. You will
never again hear the song 'Darshan Do Ghanshyam' without flinching after
seeing this movie.

And yet, it is truly, as one western critic gushed, the feel-good movie of
the decade. A frenzied romp through the bowels of the Mumbai slum, SLUMDOG
MILLIONAIRE pulses with experiences both unspeakably brutal and unbelievably
tender. It is a shameless Technicolor packaging of the Mumbai Dream, where
the slum boy with an honest heart and quick mind makes good, and skips into
the sunset with his pockets jingling and the girl on his arm. SLUMDOG
presses all the right buttons - communal riots, police torture, the pitiless
beggar trade, even call centers. British director Danny Boyle, who earned
his cinematic spurs with TRAINSPOTTING and 28 DAYS LATER, simply seized the
Mumbai cliche and ran with it, injecting the plot with a pathological energy
that had the critics slavering and the awards rolling in.



Anil Kapoor, who was at the awards ceremony, said he was blown away with
Rahman's victory. 'It is historic,' Kapoor told on phone from LA. 'It's
unbelievable; I just can't imagine what it means for Mumbai and India.'
Co-director Loveleen Tandon added, 'SLUMDOG is a very special film for India
because the film's heart is in India; and the world has appreciated it. I'm
now waiting for India to give her verdict.'

Minutes before his flight took off to Los Angeles on his birthday on January
6, Rahman had said, 'A win at the Golden Globes will be the best birthday
gift I can receive.' The composer was given just three weeks by Boyle to
compose the score and used a mere 17 cues as opposed to the 93 cues he
normally uses for a Bollywood film. Crediting Boyle for using his music
effectively, Rahman said the SLUMDOG compositions are a blend of
cutting-edge tunes and typically Bollywood sounds.

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-- 
regards,
Vithur

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