*Movie*
Slumdog Millionaire  *Director*
Danny Boyle  *Music*
AR Rahman  *Cast*
Dev Patel, Anil Kapoor, Saurabh Shukla, Freida Pinto, Irrfan Khan      *Sonia
Chopra
*   To review an album that has just earned its creator the prestigious
Golden Globe seems rather peculiar. AR Rahman, after winning, the Globe for
Best Original Soundtrack for *Slumdog Millionaire*, is now being referred to
as `India's Mozart'. So naturally, the album-hearing is saddled with
inevitable and mounting expectations.

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Most of the songs are thematic pieces with just music and sparing lyrics. If
you like your songs lyric-laden, you might miss the words.

As always, Rahman's work is head-and-shoulders above the ordinary. And one
can imagine what (brilliant compositions with a dash of exotic India) may
have impressed the Globe jury enough to award it.

Followers of Rahman's work will feel exhilarated as always, but will also
wonder if he has given even more complex and soulful music in the past. *

Ringa Ringa:*

What's that? What's this risqué song about a khatiya and khatmal doing first
thing in this celebrated album. This too shall pass, you console yourself.

The song, a take-off on *Choli ke peeche kya hai*, combines Alka Yagnik's
syrupy voice with Ila Arun's earthy vocals. Lyrics by Raquib Alam get
raunchier by the minute, retaining the folk flavor.

*Jai Ho *

The song abounds with a delightful, restless energy and reeks of signature
Rahman. Lyrics by Gulzar are fun and Sukhwinder Singh is in his element. The
song intersperses Hindi lyrics with Spanish ones, written and sung by Tanvi
Shah.

Mahalaxmi's voice complements Sukhwinder's vocals perfectly, but this is
Sukhwinder Singh's show all the way. The song ends with an unexpected serene
piece towards the end that makes all the difference.

*O…Saya*

Drums give the song a dramatic start and we hear AR Rahman's voice –
all-soul –taking the song away. Like most of the songs in the album, this
one too doesn't focus on the lyrics. Rahman is joined by M.I.A
(Grammy-nominated British artiste of Tamil decent) who sings the English
lyrics.

*Riots*

The title is enough to get you uneasy. Reminiscent of the `Bombay Theme' in
Mani Ratnam's Bombay (though not as serene), Riots is not a very soothing or
pleasant hear, but a most interesting one. It's one of those songs that
immediately get you curious about the film and where the song might appear.

*Mausam & Escape *

The fusion song starts tenderly, slowly building onto a high-energy mode.
You can hear the jaltarang interspersed with the tabla, while the guitar and
drums make an appearance.

The string arrangements, like in the album throughout, are spectacular. The
Indian classical instruments folded in with the western makes for a fun,
interesting song.

*Liquid Dance*

Fluidity seems the best adjective to pin down the piece. Strings are married
with drums. Madhumita sings Bharatnatyam dance bols (words) expertly. You go
with the flow and enjoy the song and its energy.

*Latika's theme*

Bereft of any lyrics or any singing in the conventional sense, the song only
has Suzzane (Aye Bachchu in Ghajini) hum. She does so expertly, filling in
nuances. Her voice soothes the listener like a lullaby.

*Millionaire *

A pure-energy song – it's like sitting on a fun roller-coaster ride.
Madhumati's haunting voice makes an appearance. The trance-like feel has one
thinking back to Madonna's Ray of Light.

The somberness is replaced by sudden brightness as the song takes a cheerful
turn. Strings remain the focused instruments in this star song.

*Gangster Blues* One enjoys their innovative titles as much as the songs
themselves. Gangster Blues has a layer of fun and comedy, as Blaaze starts
with the English lyrics. The song reminds one of several breezy, youthful
songs in South Indian films that are high on energy. Tanvi Shah complements
Blaaze as sings the lyrics, rap-style. The song incorporates a mélange of
instruments, and you find yourself pleasantly surprised hearing the piano
for a brief time in a rap song. *

Dreams of Fire* Guitar introduces the song and Suzanne sings the English
lyrics. She holds the song on her able shoulders and her voice is very
effective; very hypnotic. The music slinks into the background, letting the
vocals take center-stage, though one does notice the wonderful cameo by the
flute.

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*Verdict: 3 stars *

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-- 
regards,
Vithur

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