Guys - Lets be clear about one thing. Taran;s reviews are all based more from the Box office perspective while Rajeev Masand's reviews are based on a more holistic picture. Either ways, 8 out of 10 times, Taran has got it right in terms of the the possible box office performance of the movie. I dont like some of the comments Taran makes but that doesnt mean his box office performance reviews are thrash.
Anyways.....lets hope Rajeev's review is better. Cheers! Balaji --- In arrahmanfans@yahoogroups.com, "rayrai2k" <ravis...@...> wrote: > > I always read this guys name as Trash. But I now have no regrets > calling him so. His review was expected and what more can be since > theres no Yash / Karan / SRK. That alone is the reason for him to > review so badly. Either he was all along drowned in his phone not > paying interest to dialogs. What made him give 3.5 to Billu if D6 is > 1.5. > Teri oonchi shaan hai maula > Meri arzi maan le maula > Tu hai sab kuch jaanne waala > Main hoon tera maanne waala > Kaise kaison ko diya hai > Aise vaison ko diya hai > > D6 is definitely a very good movie after RDB. Just like the feel > after watching the RDB first time, I walked with a thought would this > sell. later every scene I recall is forcing me to watch it again. > AB is not as great as seen in Yuva but is far better than any of his > other work including Sarkar. > > --- In arrahmanfans@yahoogroups.com, "rivjot" <rivjot@> wrote: > > > > http://www.bollywoodhungama.com/movies/review/12980/index.html > > > > Rakeysh Omprakash Mehra thinks out of the box and it's more than > > evident now. First AKS, then RANG DE BASANTI, now DELHI 6. A two- > liner > > of the story may give you an impression that it's similar to UTV's > > earlier outing SWADES, directed by Ashutosh Gowariker: An American > of > > Indian origin returns to his roots and decides to stay back in > India. > > But DELHI 6 bites more than it can chew. > > > > Set in old Delhi, the screenplay [Rakeysh Omprakash Mehra, Prasoon > > Joshi, Kamlesh Pandey] takes its own sweet time to come to the > point. > > In fact, the entire first half is dedicated to the sundry characters > > in the bylanes of old Delhi, where several stories run parallel with > > the main plot... The two warring brothers [Om Puri, Pawan Malhotra] > > and the wall that divides the two; the daughter of the house [Sonam > > Kapoor] aspires to be an 'Indian Idol' contestant; a moneylender's > > [Prem Chopra] wife has an illicit relationship with one of his > > lecherous debtors [Cyrus Sahukar]; an 'untouchable' [Divya Dutta] > > makes more sense than the so-called thekedaars of samaj; a friend of > > the family [Rishi Kapoor] has still not forgotten his first love > > [Tanvi Azmi]. Oh yes, there's also a 'Kaala Bandar' who spreads > havoc > > in the locality. Really, Rakeysh tries to pack in multiple stories > in > > those 2.18 hours. > > > > But, alas, the problem is that barring a few individualistic > > sequences, you don't carry the film home. The film is engaging in > bits > > and spurts. Worse, it tends to get monotonous, preachy and boring > and > > the end is so bizarre, you actually want to ask the writers, 'Hey > > guys, you okay?' > > > > Let's cut a long story short: Rakeysh Omprakash Mehra misses the bus > > this time. > > > > DELHI 6 tells the story of a young American boy Roshan [Abhishek > > Bachchan] of Indian origin, who comes to India for the first time, > to > > drop his ailing grandmother [Waheeda Rehman]. She wants to retire > and > > spend the last leg of her life back home; dissolving into the soil > she > > was born in. > > > > In America, having led a very western lifestyle, Roshan is not > > familiar with the sites and smells, the food and culture, the > religion > > and beliefs, this huge melting pot that India is. He believes that > > Dadi had left her family and loved ones back in America, only to > > realize that how wrong he was. > > > > The warmth and affection of the neighbourhood embraces him with open > > arms. Amidst all this he meets the beautiful Bittu [Sonam Kapoor], > who > > wants to break free from the typical Indian social structure, to > whom > > Roshan is destined to lose his heart. > > > > That Rakeysh Omprakash Mehra is an accomplished storyteller is > evident > > in several individualistic scenes. Note the scene when Vijay Raaz > > slaps Abhishek and Abhishek slaps him back. Also, portions in the > > second hour, when a Baba [Akhilendra Mishra] triggers off the > > Mandir-Masjid talk and divides the two communities, is very well > > structured. The sequences are disturbing and the writers and > director > > succeed in exposing the fickle-minded people residing in the > locality. > > > > But the screenplay isn't foolproof. The romantic track is the > weakest > > link in the enterprise. The love story falls flat. Also, the ending > is > > so abstract that an average moviegoer would find it difficult to > > comprehend what the actual culmination is. The sequence in the end, > > when Amitabh and Abhishek have a conversation, looks weird. In fact, > > ridiculous. What was the need to have this sequence? It makes no > > sense. Even the Ram Leela sequences, interspersed at regular > > intervals, are forced in the screenplay. > > > > Rakeysh's handling of the subject is exemplary at places. But the > > writing [faulty at times] as also the execution of the material > isn't > > the type that would appeal to all sections of moviegoers. A.R. > > Rahman's music is outstanding; it's easily amongst his finest works. > > 'Masakali', 'Ye Dilli Hai Mere Yaar', 'Rehna Tu', 'Maula' and 'Genda > > Phool' are amazing tracks. Ditto for Prasoon Joshi's lyrics; they're > > gems. Binod Pradhan's cinematography is brilliant. Watch the Jama > > Masjid sequence [breath-taking] or the camera movements in the > bylanes > > of old Delhi. Just one word to describe the output: Incredible! > > > > Abhishek doesn't work. Also, his American accent looks fake. Sonam > is > > likable. Waheeda Rahman enacts her part well. Rishi Kapoor is > wasted. > > He deserved a better role. Amongst supporting actors, Om Puri > > [powerful], Pawan Malhotra [flawless], Vijay Raaz [tremendous], > Deepak > > Dobriyal [genuine], Divya Dutta [admirable] and Cyrus Sahukar > > [likable] leave a mark. > > > > Prem Chopra is alright. Atul Kulkarni looks like a buffoon. And what > > is Raghvir Yadav doing in this film? Supriya Pathak, Tanvi Azmi, > K.K. > > Raina, Akhilendra Mishra and Dayashanker Pandey are passable. > Amitabh > > Bachchan's presence in the penultimate minutes fails to evoke any > > reaction. > > > > On the whole, DELHI 6 has a terribly boring beginning [first hour], > an > > absorbing middle [second half] and a weak end [climax]. At the > > box-office, the business is bound to be divided. The film may record > > bountiful collections at multiplexes in its opening weekend. The > > popular music as also the fact that there's no major opposition will > > benefit the film in the initial days. But the business at single > > screens as also the mass belt will be a shocking contrast. However, > > the cracks will start appearing sooner than expected, even at > plexes. > > Thumbs down! > > > > Rating - 1.5/5 > > >
