I got this as forward email  from someone. Not sure if this has been posted
earlier.
I don't claim all these info are true.

Cheers,
Bergin
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Not many know that AR Rahman, the Oscar award winning Music composer often
hailed as the Mozart of Chennai is a Brahmin by birth.  Read this excellent
background information that not many of us know, despite all the publicity
he has reaped after his consequent in winning the double Oscars from the
Academy of Motion Pictures Arts and Sciences in the US.


The Malayalam Motion Picture Industry have always portrayed Rahman's father,
RK Sekhar as one of their own which is the popular impression until
Tamilnadu claimed Rahman as one of their own sons.


Read the interesting bio:


A.R.Rahman was a Palghat Iyer Brahmin  who migrated to Chennai. His name was
Dilip & he also studied in the famous Padma Seshadri School where Brahmin
Students were dominant. AR Rahman, born in 1966 as Dilip Kumar is the son of
RK Sekhar and Kasturi. His Grand Father Rajagopal Bhagavathar is from
Kizhanoor near Chennai and was a popular Harikatha kalakshepam expert. His
Father was a Malayalam movie music director. He scored music for just 22
films but was a music arranger and composer for over 100 Mlayalam films.
Apart from having composed many beautiful hit songs, it is said that his was
the genius behind the success of many famous composers and their famous
songs. It is said that R K Sekhar had a rare mastery over the harmonium.
Blessed with a deep knowledge of Indian traditional music as well as western
music, he was the music arranger for
Devarajan,Dakshinamurthy, A.T. Ummer, M.K. Arjunan and others.

When Salil Chowdhury composed music in Malayalam for films like Chemmeen, R
K Sekhar served as his assistant and music conductor. In his early days when
Ilayaraja played Combo Organ and Guitar for the songs of Salil Chowdhury and
Devarajan, it was R K Sekhar who arranged and conducted it.

R K Sekhar who learnt the grammar of music by and large on his own, garnered
the framework of Carnatic music from Dakshinamurthy. It is said that even
composers like S.D. Burman, recognizing his talent in arranging music,
invited him to assist him in Hindi film music. He was the music composer for
music director Kumar's first film Neerkumuli, a Tamil hit directed by K
Balachander.

At his age of 31, R.K. Sekhar, married 17 years old Kasthuri. Their wedding
was conducted in Tirupati and they lived in Chennai. Kanchana, the daughter
was their first child. Then came Dileep their only son,
followed by the girls Bala and Rekha.

R K Sekhar had the ear and special talent to recognize the potential of new
sounds of music instruments. It was his habit to travel to Singapore to
understand the latest trends in music instruments. He introduced to South
Indian music the early synthesizers like Univox and Claviolin. In those days
only international music bands had them. R K Sekhar introduced Balamurali
Krishna and S.P. Balasubramaniam to Malayalam film songs in the film
Yogamullaval. R K Sekhar had introduced many new singers to Malayalam film
industry like Brahmanadan, etc.

A music fanatic and a workaholic, R K Sekhar worked day and night rehearsing
songs, arranging music and recording songs without sparing time for either
food or sleep. He literally lived in the recording studios with only tea and
dry bread for food and an occasional nap. As a result, he contracted chronic
ulcer. Finally, he had to move from hospital to hospital for
treatment as the disease reached terminal stage. His assistants went and
waited in hospitals to write down the music scores as he dictated them from
bed, amidst excruciating pain. In 1977, R K Sekhar passed away in his 42nd
year. Dileep, the now Mozart of Madras, was just eleven then.

R K Sekhar's daughter Kanchana is also a good singer and today her son GV
Prasad is a music director to reckon with and has made music for hits like
Kreeedom, Veyil,Unale Unale,Pollathavan,  Seval, Vellithirai and, of course,
Rajini's Kuselan. His father, Venkatesh is a business man.


Rahman's mother became Rahana when his entire family converted to Islam.
There are many positive traits Rahman has picked up by ancestry. Like his
Father, Rahman was innovative and ready to absorb and blend foreign music to
his original score. He like his father was always a keen ear for new, fresh
talent. He probably started living his father's dream but has surely
surpassed it, long ago.

"The memories of my father remain my inspiration. I have seen famous film
music personalities and film directors of those years waiting for my father
in the verandah of our house. Father used to work for eight or nine films at
a time. I think he died of excessive exertion. Beneficiaries have recounted
to me how my father helped them, how he created opportunities for them. I
was very moved by all that...."

On another occasion A R Rahman said: "My mother has told me a lot
about my father. Hearing them gave me great pleasure. Father was greatly
regarded as one well-versed in Music. I listen to his old songs even now. I
believe that by God's grace I have inherited a small part of his great
genius in music."

So we can more or less understand the seed of his music. But what made him
special is the faith and spiritual experience he underwent. In his
sorrow-filled days, Dileep found consolation in Islamic faith. It is said
that in 1988, when his sister was in death-bed suffering from the same
disease as his father and all efforts to save her reached a dead-end, a
Muslim Sufi Pir saved her. After this event the entire family converted to
Islam. Dileep changed his name to Allah Rakha Rahman, in short A R Rahman.

Dileep's initiation in music happened in the early years. He obviously took
the first music lessons from his father, RK Sekhar. He also began to
formally learn Indian classical music, carnatic from
Dakshinamoorthy and N. Gopalakrishnan, Hindustani from Krishnan Nair,film
music from Nithyanandham and Western Classical from Jacob John( aka Jim, an
Orthodox Christian from Kerala who was an ace pianist of his time!).All this
learning experience enabled him to earn a scholarship to the famed Trinity
College of Music at Oxford University London, from where he obtained a
degree in Western Classical Music. He also learnt the Sufi Qawwali style
from Nusrat Fateh Ali Khan, in 1997 and Ghazzals from our own Hariharan.

Rahman has always been immensely spiritual. The faith in god and his
attraction to sufi music is visible in his creations. His patriotic Vande
Matram is still the popular soul song of India. The Airtel tune, The stamp
song of most popular TV channels down south are all his creations. In his
own words-"We get our basic recognition from this country and it is a part
of you, whether you are Hindu or Muslim or anything else, the Koran says,
'at the feet of the mother lies the Jannat'. And the Prophet says,
'Whichever country you are in, you have to respect the laws of the land,
because it is the land above all, which gives you life.' "

So a true Indian, a faithful Muslim, born Hindu, a Tamilian, influenzed by
Malayalam music, married to Saira Banu whose father is a Gujarathi and
mother Malayali, JUST TO WHOM DOES HE BELONG?

The reason for which he is thought about all over India today is his double
award in Oscar for a film which is essentially an UK intellectual property
based on an Indian's story shot in slums of India's financial capital. So is
his success Indian or British? To whom does he belong at this time of glory?

While getting the award, Rahman said "the essence of the film which is about
optimism and the power of hope in the lives, and all my life I had a choice
of hate and love. I chose love and I'm here. God bless" - If these words had
come from any other
mortal, it should have been seen with suspect, but coming from a sincere man
dedicated to music, it should be seen as it is and thus it reveals that he
belong to Love and Music.

In his own words,

"Music is language itself. It should not have any barriers of caste, creed,
language or anything. Music is one, only cultures are different. Music is
the language of languages. It is the ultimate mother of languages- Film
music in India is like pop music in the West. Movies are the channels for
this music. But music stays on long after the films. - If a music artiste
wants to blossom into a full-fledged person, it is not enough if he knows
only classical music; nor is it enough if he is well-versed only in Raagas
and techniques. Instead, he should be a knowledgeable person interested in
life and philosophy. In his personal life there should be, at least in some
corner of his heart, a tinge of lingering sorrow."

And so, A R Rahman belongs to
World Music and he cannot be confined to any boundaries. After the award he
was quoted by a foreign newspaper that Rahman hopes all the attention will
encourage other young Indians to choose music as a future. We really need
that space for creativity in India right now,' he said. 'Most of all, I just
want that to be recognized.'

He and his music belongs to all of us. Hope he remains the way  he is and
may he grow bigger in stature globally.God bless him!

-- 
www.berginroy.com

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