Blu-ray Review: *Slumdog Millionaire* By Rebecca Wright on April 10, 2009
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British director Danny Boyle's (*Trainspotting*, *The Beach*, *28 Days Later
*) *Slumdog Millionaire* was the surprise hit of the year. Written by Simon
Beaufoy (*The Full Monty*, *Closer*), and co-directed in India by Loveleen
Tandan, the film is an adaptation of the novel *Q & A* by Indian author and
diplomat Vikas Swarup. Slumdog was nominated for ten Academy Awards in 2009
and won eight, including Best Picture, Best Director, Best Adapted
Screenplay, Best Film Editing, Best Sound Mixing, Best Cinematography, Best
Original Score and Best Original Song. S*lumdog Millionaire* is definitely a
film most film fans will want to add to their personal collections.

[image: Slumdog
Millionaire]<http://media.elasticpop.com/images/Slumdog.jpg>Boyle
filmed *Slumdog Millionaire* in India, shooting about a quarter of the film
in subtitled Hindi and using a lot of local actors to tell the story. In its
most basic of terms, *Slumdog Millionaire* is the story of a young man, a
Mumbai orphan, who goes from rags to riches on the strength of his
intelligence. Nearly 20-year-old Jamal Malik (Dev Patel), a onetime street
urchin turned gopher at a telemarketing center, has made it to the final
question on the Indian version of *Who Wants to Be a Millionaire?* Convinced
that an uneducated nobody could possibly do that well, the police
interrogate him after the show breaks for the evening. Armed with the
knowledge that the show's host, Prem Kumar (Anil Kapoor) believes Jamal has
been cheating, the police brutally torture him. Jamal explains, one question
at a time, the events in his life that gave him the answers.

These events are told in a series of flashbacks, which serves to tell us the
story of Jamal's hard-knock life. First we meet the young, energetic Jamal
(Ayush Mahesh Khedekar) and his slightly older brother Salim (Azharuddin
Mohammed Ismail) living in the slums of Mumbai. Theirs is a real hand to
mouth existence; doing whatever they need to do to survive. At one point,
the brothers take up with a sinister fellow who teaches street kids to sing
for spare change and will do whatever it takes to make his kids look more
pathetic and thus better earners. Almost from the start, it's clear that the
two brothers have very different personalities--Jamal is gentle and
resourceful; Salim, opportunistic and harsh.

Later, they meet up with an orphaned girl named Latika (Rubina Ali), whom
Jamal wants to make their third Musketeer, despite Salim's objections. Time
has passed and Latika is no longer a part of the boys' lives. However, Jamal
has never forgotten her. He and Salim are still scraping out a life on the
streets; Jamal hustles tourists at the Taj Mahal and Salim gets involved
with some gangsters. Soon enough (and with Salim now played by Madhur Mittal
and Latika by Freida Pinto), the three young people's lives intersect again
through Javed (Mahesh Manjrekar), a cruel racketeer with a stranglehold on
the slum they grew up in.

It's during all this, that Jamal gets a shot as a contestant on *Who Wants
to Be a Millionaire*. We learn later, that Jamal's only motivation for
trying out for the show was because he new Latika would be watching and he
was desperate to contact her. After Jamal tells his whole story, explaining
how his life experiences coincidentally enabled him to know the answer to
each question; the police inspector calls Jamal's explanation "bizarrely
plausible" and, knowing he's not in it for the money, allows him to return
to the show for the final question.

Boyle shows great skill in his ability to juggle three different timelines
so well. Jamal being interrogated while watching a videotape of his first
night, and Jamal's life story leading up to this point. Boyle finds creative
ways to make ordinary filmmaking devices like flashbacks seem lively and
innovative. For example, as Jamal sits down to face his final question on
the *Millionaire* set, he remembers being questioned and slapped around the
night before, still reeling from it. To enhance this feeling of
disorientation, Boyle has the slap occur in the present--a hand literally
reaches up from under Jamal's chair on the TV soundstage--as a segue to the
flashback of when it actually happened. You'll miss it if you blink but the
effect is perfect: You feel Jamal's confusion and the sensation that time
has run together, that everything in his life is happening all at once.

This 1080p/MPEG-4 AVC effort provides an image that's always pleasing and
often stunning. At their best, various shots flaunt all the breathtaking
clarity, enhanced depth of field, and vibrant color that distinguish the
finest HD transfers. Beads of sweat, downy facial hairs, and clothing
textures are all superbly rendered, colors possess lovely saturation, and
contrast is pushed, so we get several palpable moments of 3-D pop. remains
true to Boyle's vision, which walks a fine line between gritty realism and
lush romanticism and honors both approaches well.

Black levels are quite strong, and nocturnal scenes possess great amounts of
detail. Whites tend to run hot, and the high contrast forces a few instances
of blooming. A smattering of video noise creeps in from time to time, and
there's some break-up of fine details in long shots but neither deficiency
detracts from the overall quality of this transfer. Not a single nick or
scratch mucks up the image, and no edge sharpening, DNR, or other digital
tinkering alters the original look of this film. This is really a terrific
presentation, one that thrusts us into the action and keeps us on a tether
throughout.

I found the English / Hindi 5.1 DTS-HD Master Audio soundtrack to be
amazing. This was not a film that I had expected to be aggressive in sound,
but the musical score by A. R. Rahman, the sound editing, sound design and
sound effects are all top notch There are plenty of quiet moments in the
film, but in a moment´s notice the soundtrack can come alive with amazing
audio that showcases the Academy Award winning music. Sound emanates from
all directions when the mix is allowed to wake up and there is plenty of
ambient sounds to be heard throughout the film such as the sounds of the
crowded slums and the exploding applause of the audience as Jamal answers
each question correctly. Dialogue is fine but subtitled for the Hindi spoken
parts.
*
Slumdog Millionaire* comes packed with a decent spate of special features
that both look at the making of this popular film and honor the people and
culture of India.

• *Audio Commentaries* - Two tracks are included, the first of which
features director Danny Boyle and actor Dev Patel in a spirited commentary
that's short on insight but long on enthusiasm. Boyle's energy and passion
are contagious, and it's a treat to hear him expound on a film that means so
much to him. He talks about breaking down the barriers that might prevent
western audiences from embracing the film, the warmth of the Indian people,
working with the child actors, filming at the Taj Mahal, and some changes
between the original script and final version. Patel is a respectful
sidekick, tossing in a few remarks and affirming the director's points, but
this is really Boyle's show. The second track allows producer Christian
Colson and writer Simon Beaufoy a chance to share their perspectives, but
they have little of interest to offer.

• *Deleted Scenes* (SD, 34 minutes) - A selection of 12 deleted and extended
scenes include a longer version of the film's opening chase sequence, an
additional question scene from *Who Wants to Be a Millionaire?*, more
development of Jamal and Salim's adolescent period, and a pair of heated
confrontations between the two adult brothers.

• *Featurette: "Slumdog Dreams: Danny Boyle & the Making of Slumdog
Millionaire"* (HD, 23 minutes) - This two-part featurette includes extensive
comments from Boyle, Beaufoy, and Colson, as well as remarks from the cast
and lots of behind-the-scenes footage of Boyle directing in the Indian
trenches. The extremes of India, the lengthy casting process, the
unpredictability of shooting in Mumbai, and the film's state-of-the-art
digital photography are among the topics discussed in this slick, involving
piece.

• *Slumdog Cutdown* (HD, 6 minutes) - A condensed version of Slumdog
Millionaire presented as a music video.

• *Music Video: "Bombay Liquid Dance"* (SD, 3 minutes) - Daily life in
Mumbai is flashily chronicled from a variety of perspectives in this
instrumental music video.

• *Theatrical Trailer* (HD) - In addition to two trailers for *Slumdog
Millionaire* (one American, one European), the disc includes previews for *
Australia*, *The Secret Life of Bees*, *Notorious*, and *Bride Wars*.

• *Featurette: "From Script to Screen: Toilet Scene"* (HD, 5 minutes) - An
in-depth examination of this important sequence that sets up the dynamics of
a key relationship and defines essential character traits. Boyle and Beaufoy
both provide great perspective as they walk us through the scene.

• *'Manjha': A Short Indian Film* (SD, 41 minutes) - A raw, devastating,
black-and-white study of lost innocence, misplaced trust, abuse, and revenge
seen through the eyes of an orphaned Indian boy striving to stay alive and
care for his baby sister on the streets of Mumbai.

•* Digital Copy* - A second disc allows you to transfer Slumdog Millionaire
to a portable entertainment device via iTunes or Windows Media Player.

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-- 
regards,
Vithur

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