Hi bro, thanks a lot for the translation! Brilliant work indeed.

Could you please upload the previous parts of this in a text or word file
and attach it for the convenience of new members who missed out on earlier
articles please?

Regards,
2009/6/4 uday kiran <uda...@gmail.com>

>
>
>  A really great work Arvind bro.
>
> We are enjoying every letter in this article.
>
> Thnaks, thanks soo much!!
>
> 2009/6/4 Aravind AM <aravind...@yahoo.com>
>
>
>>
>>   Hi everyone,
>>
>> Here are the scans and translation of this week's article.
>>
>> Week 09, Part 01
>> http://www.flickr.com/photos/aravind_am/3594446318/
>>
>> Week 09, Part 02
>> http://www.flickr.com/photos/aravind_am/3593636813/
>>
>> Week 09, Part 03
>> http://www.flickr.com/photos/aravind_am/3593636489/
>>
>>
>>
>> Week 9
>>
>> 1991
>>
>> The public and the music fans hadn’t heard about Dileep, then. But, the
>> film music fraternity and the ad film world knew him well. The music circuit
>> had taken cognizance of how he elevated himself from just renting out music
>> instruments (after his dad’s death) to playing for prominent composers,
>> accompanying famous musicians on world tours and rocking the ad music world.
>> But, they didn’t expect this silent storm to take the next avtar. Not just
>> them, even Dileep didn’t expect the turning point!
>>
>>
>>
>> In 1987, Dileep set up Panchathan – a state of the art recording studio –
>> in his house. It had many modern instruments and recording equipments, the
>> Indian industry had never seen! Leading ad companies started queuing up in
>> front of Dileep’s house for his music. A picture of Pir Qadri in the studio
>> reception, welcomed them!
>>
>>
>>
>> Dileep composed jingles for reputed organizations and brands like Boost
>> (the ad featuring Sachin Tendulkar and Kapil Dev), Titan, Premier pressure
>> cooker, MRF tyres, The Hindu, Asian Paints. He also composed the signature
>> tunes of Sun TV, JJ TV and Asianet. He composed for several TV shows, Radio
>> jingles, multimedia AVs and several short films. It was Rahman who composed
>> the title music for “Spirit of Unity” concerts organized by Madras Telugu
>> Academy. He was doing well financially. He had even fulfilled his desire of
>> owning an imported-car. What more?
>>
>>
>>
>> One day, Dileep was driving in his new car, listening to a new western pop
>> album. The music and recording quality was outstanding, and he enjoyed it
>> totally. After that, he played another cassette, which had his own ad film
>> compositions. He got so tensed at the quality of recording that he pulled
>> out the cassette and flung it off! After the superior sound quality of the
>> western pop album, he just couldn’t listen to anything else. Dileep, who was
>> evolving into a full-fledged recording artiste and audiography technician,
>> had the burning desire to improve our recording quality equal to that in the
>> west.
>>
>>
>>
>> Though Dileep felt that the recording quality in this part of the world
>> was yet to catch up with the quality in the west, those in the ad industry
>> were totally impressed with his superior recording quality, which was better
>> than those in India at that time! Film composers in Mumbai were jealous
>> listening to Premier pressure cooker jingle. The reason was that there was
>> only one person in India who knew and understood the latest in music
>> recording and that was Dileep!
>>
>>
>>
>> Dileep had invited Mani Ratnam to his studio. Mani who was looking for a
>> new composer for a new film (not Roja, it was another film idea), remembered
>> Rahman’s this 6 months after Dileep’s invitation. He wanted to give this new
>> composer a try, and he visited Panchathan. Dileep who was extremely busy
>> even then, welcomed Mani and played some of his sample clips. Mani who is
>> “techno crazy” was awed by the hi tech studio. The music that he listened
>> to, impressed him further!
>>
>>
>>
>> Dileep then showed Mani, his new composition. It was the music he had
>> composed for a Bharat Bala directed short film on the Cauvery river water
>> issue. The music moved Mani Ratnam deeply. He realized that this music was
>> different and it was a flame that’s on its quest to move bigger and better
>> things. Mani immediately confirmed to Dileep that he would be the composer
>> for his next movie. Rahman was excited about this, as he didn’t have any
>> significant interest towards film music.
>>
>>
>>
>> Dileep went to Mumbai for a music event. Veteran composer Naushad who had
>> already known about Dileep’s talent (RK Shekar had worked with Naushad too)
>> told him – “You should enter film music industry.  You are talented
>> enough to succeed there.” Dileep just returned a smile as his reply. Naushad
>> insisted further and blessed him.
>>
>>
>>
>> But even then, Dileep never moved towards the film music industry on his
>> own accord. He had just invited Mani Ratnam, and Mani offered him an
>> opportunity, as he was impressed with the music. That’s all! He continued
>> his focus on ad films, leaving the rest to Allah!
>>
>>
>>
>> One day, Mani Ratnam returned. He told Dileep, “I’m doing a new film,
>> titled *Roja. *K Balachander is producing the movie under 
>> *Kavithalaya*banner. You’re the composer, and you need to start working 
>> right away.”
>> Dileep was confused on whether to accept or reject the offer. He accepted it
>> for just one reason – it was Mani sir’s film!
>>
>>
>>
>> Rahman tells us about this – “I was offered Rs. Twenty five thousand for
>> this project. I could have earned that amount within few hours, composing
>> for ad jingles. But, the prospect of working under Mani sir, attracted me.
>> He is not a director who considers songs as fillers. I knew that he puts in
>> lots of effort for each song in his films. I’ve noticed how he elevates a
>> song which is 100%, to 400% with breath taking visuals. So, I accepted the
>> offer”
>>
>>
>>
>> “I knew that there would be sky high expectations on a composer instrocued
>> by Mani Sir, and hence, there was pressure on me! But, Mani was extremely
>> friendly, and he brought out music from me. I’d have composed hundreds of
>> tunes. We selected the best out of those, improvised on them…. He’s great!”
>>
>>
>>
>> ‘Roja’ album became a super hit through out the country. For Dileep who
>> was rocking the ad film music world silently as an unknown composer, this
>> was a pleasant shock. He was overwhelmed that not just fans, but even
>> co-musicians and co-composers came forward and appreciated him. Though he
>> had done so much of brilliant work for ad jingles and many of his tunes were
>> popular, public wasn’t aware who the composer was. But all that changed,
>> with Roja. If he had contemplated on whether to compose for just twenty five
>> thousand rupees, he wouldn’t have got such a grand opening. When Rahman
>> joined Mani’s camp, the whole world welcomed him with love!
>>
>>
>>
>> The super hit song from Roja – Chinna Chinna Aasai – can be considered as
>> the first Reggae song in tamil. After the recording of this song, Dileep had
>> recorded it on a cassette and played it to his mom. How did she feel then?
>>
>> Kareema Begum talks about it – “I didn’t know much about musica. I knew
>> only one thing – he was rising higher and higher in the music industry, due
>> to God’s grace. One day, he came up to me and said ‘Ma, I’m going to compose
>> for a tamil film. It’s a Mani Ratnam movie. Listen to this song which I’ve
>> composed.’ He then played *Chinna Chinna Aasai. * It was a happy song,
>> but I don’t know why tears started welling up in my eyes. Rahman was
>> concerned, and asked me what happened. I replied ‘Nothing…. The song is very
>> good…. It moved me… It did something!” The song I liked was later loved by
>> the whole world! I felt that he had started fulfilling his dad’s dreams, and
>> this song was a start!”
>>
>>
>>
>> *Chinna Chinna Aasai* became the ‘family song’ in many households, and
>> Rahman won the Rajat Kamal Award – the national award for best music – on
>> debut!
>>
>>
>>
>> That was the beginning of a new era in Indian film music.
>>
>>
>> (to be continued)
>>
>>
>>
>>
>> PS: I will upload Week 8 scans too, by today
>>
>> Aravind
>>
>> ------------------------------
>>
>> Rahmania show interviews: http://rahmania.4shared.com
>> ------------------------------
>>
>>
>> ------------------------------
>> Bring your gang together. Do your thing. Find your favourite Yahoo!
>> Group.<http://in.rd.yahoo.com/tagline_groups_9/*http://in.promos.yahoo.com/groups/>
>>
>>
>
>
> --
> Regards,
> Uday Kiran
>
> 
>



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