http://bollywood.buzzine.com/2009/09/blue-music-is-fun/
Big money and big names do not always translate into big success
when it comes to movies, and the verdict is still out as to whether Blue,
reported to be the most expensive Bollywood film to ever be made, will
actually entertain audiences after its much-anticipated release next
month. No matter what fans will make of the movie, one thing is for
certain - the film’s soundtrack should nod some heads, tap some
fingers, move some feet, and shake some tail feathers.
In what is becoming a signature for any soundtrack associated with a film
starring Akshay Kumar, the score for Blue features some of the biggest names in
music, including American
musicians Snoop Dogg and Bohemia. Say what you want to say about
Kumar’s recent string of big budget films featuring larger-than-life
personalities, but if there is one thing Akkie is good at, it is
putting together a soundtrack that has an edgy personality and
energetic depth.
Of course, it also helps to have A.R. Rahman place his stamp on a soundtrack.
This go-around, Blue is graced by the voices of Kylie
Minogue and Sonu Nigaam, both of whom join forces for the long-awaited
track, “Chiggy Wiggy.” Just how Kumar set trends by appearing alongside
Snoop Dogg with the title track in Singh is Kinng, this
super-energetic track featuring the best of the East and West will
certainly be one of the most influential songs of 2009. Not only is the
energy level of this song higher than the sky, but Nigaam and Minogue
are perfect for the track, what with their voices seamlessly matching
the well-paced beats and timely melodic rhythms.Sukhwinder and Shreya try to
keep the energy of “Chiggy Wiggy” alive
in “Aaj Dil Gushtakh.” A decent track, this song is actually best
served watching on screen than listening to on speakers. What makes
this track work so well on the screen is the way it perfectly
compliments the skimpy attire and sultry moves of Lara Dutta, as she
has a way of adding that proverbial sex appeal to what would otherwise
be just some random track that gets a little airtime in clubs.
Up next is “Yaar Mila Tha,” an unconventional track by Madhushree
and Udit Narayan. There is definitely a level of energy in this tune,
but it is hard to get accustomed to at first, mostly because of its
nontraditional use of bars. While it is no “Jai HoHoHHo,” after a few replays,
this track eventually becomes catchy.
Rahman really gets to work on the film’s title track, “The Blue
Theme.” In what is definitely a Western-influenced melody, “The Blue
Theme” has a spunk and energy in it that can only be found in some of
the best hip-hop songs from the West. What Rahman adds to it is the
perfect balance between lyrics, instruments and beats, making this one
of the best songs on the album.
In another track that is perhaps best-served on-screen than in-dash
is “Rehnuma,” which is quite dark and enigmatic. While perfectly tuned
for one of the tensely dramatic moments in the film, “Rehnuma” is not
something you would want to listen to in the car, at home, or on the
dance floor. This one is perfect for skipping over…unless you
thoroughly enjoy listening to movie tunes.
The last energetic track is “Fiqrana,” another tune where Rahman
perfectly balances instruments, background music and lyrics. Adding a
nice touch with a guitar-laden intro, “Fiqrana” has a unique
combination of charm and edge, making it ideal for just about anyone to
enjoy.
Rashid Ali finishes with a romantic number in “Bhoola Tujhe.” While
a welcome change of pace, “Bhoola Tujhe” is not memorable; in time,
most people will forget this is on the album, which weighs down the
overall value of the soundtrack.
Overall, this is a soundtrack where Rahman explores his more
creative side, finding unique ways to combine western and eastern
theories of music. While it is not necessarily a soundtrack of impact,
the score for Blue is definitely fun and is sure to make you move.
For its sheer entertainment value, the Blue soundtrack earns a BuzzScore of 3.2
out of 4.
