A Rave-Worthy Effort

The Rahman-Ratnam-Gulzar combo strikes gold again with the music of the eagerly 
awaited `Raavan'. A heady mixture of energy and innovation – the music of 
Raavan does not disappoint. It ranks, along with Ishqiya, as the best album of 
2010 so far, and will probably end up within the top five of the year

By Suprateek Chatterjee
Posted On Tuesday, April 27, 2010 at 05:28:41 PM


Album: Raavan
Music: A R Rahman
Released by: T-Series
Rating: * * * * (out of 5)

Being A R Rahman can't be easy. It's one thing to be competing with the best in 
the business, but when the toughest competitor around is yourself, that's when 
things get worse. The maestro is back with one of the most awaited albums of 
the year, Raavan, where he collaborates with director Mani Ratnam and lyricist 
Gulzar (the three of them can safely be said to constitute the Holy Trinity of 
Bollywood music).

It's only natural, then, to approach an album like this with super-high 
expectations and, sure enough, the music of Raavan does not disappoint. It 
ranks, along with Ishqiya, as the best album of 2010 so far, and will probably 
end up within the top five of the year.

Is it Rahman's best? No, but it comes close. The music of Raavan is earthy, 
percussive and full of imaginative arrangements, but it doesn't scale the same 
heights as Roja, Bombay, Dil Se or even Delhi-6. It's clear that many of the 
songs are made for the screen, and will appeal more to some listeners once the 
videos or the movie itself is out.

That said, this is one hell of a Rahman sucker-punch that should keep listeners 
hooked (this reviewer listened to the entire album thrice in the same day). The 
album opens with the eminently hummable `Beera', which is clearly an ode to the 
titular character Beera essayed by Abhishek Bachchan. Sung by Kirti Sagathia 
and Vijay Prakash, this one has chartbuster written all over it and has a nice 
folk-rock vibe.

The second track, `Behne De', is an aggressive tour-de-force for singer Karthik 
who gets just the right amount of angst in his vocals. With arrangements that 
include lush strings, a choir, electronic synth leads and a deliciously angry 
electric guitar riff, one can already imagine an adrenaline-pumping montage cut 
to this brilliant track in the film.

This level of energy is carried over to the next track, `Thok De Killi'. Here, 
Gulzar's lyrics take centre-stage with lines that speak of revolution and 
violence, and, really, who better than Sukhwinder Singh to convey that feel, 
right? The singer goes all out, while Rahman keeps pace with some impressive 
orchestral arrangements.

This leads to the magnum opus of the album, `Ranjha Ranjha'. Sung by Rekha 
Bharadwaj, Javed Ali and Anuradha Sriram, this song packs a wallop – imagine 
`Maiyya Maiyya' from Guru combined with `Liquid Dance' from Slumdog 
Millionaire. Gulzar's poetry scales new heights – sample the line `jalti raakh 
laga ley maathey lagey toh chandan hoy' – and when the delectably fuzzy bass 
kicks in, your foot will start tapping of its own accord no matter where you 
are at that moment.

Rekha Bharadwaj's delectably silken vocals come once again in the next song, a 
soft and romantic semi-classical number, `Khili Re'. While Rahman's 
arrangements are interesting, the song doesn't compare to a `Badi Dheere Jali' 
(from Ishqiya) in terms of creating an atmosphere; however, after the 
aggressive gale-force nature of the tracks preceding it, this one comes as a 
pleasant zephyr. The album ends with the heavily percussive `Kata Kata', whose 
lyrics compare a bachelor getting married to a lamb headed for slaughter. Sung 
with tremendous energy by Ila Arun, Sapna Awasthi and Kunal Ganjawala, this is 
one song that will look and sound better on screen than it does on the album.

The good news: Rahman's only getting better with age. His music is growing more 
complex in terms of arrangements and the production quality is par excellence. 
Some might complain that the music of Raavan doesn't have as much melodic 
strength as, say, a Lagaan, which is absolutely true. However, the music has to 
fit the film, and in that regard, Rahman has hit the bulls-eye as usual. The 
Holy Trinity can rack up another notch to their credit.


http://www.mumbaimirror.com/article/135/20100427201004271728412599b05c361/A-RaveWorthy-Effort.html


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