A.R. Rahman brings elaborate show to Sears Centre

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By Andy Downing, Special to the Tribune

June 20, 2010

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A.R. Rahman, performing at a crowded Sears Centre in Hoffman Estates on
Friday, balanced moments of serenity with elaborate set pieces that came
across like scenes from a particularly colorful Bollywood musical.

In one memorable vignette, a cadre of dancers recreated a prison break,
twisting and writhing on a metal gate as spotlights scanned the stage like
helicopter searchlights. Contrast that with a tranquil "Yeh Jo Des Hai
Tera," which found a pair of dancers "flying" giant kites tethered to the
rafters.

Rahman, perhaps best known stateside for his "Slumdog
Millionaire"<http://www.chicagotribune.com/topic/entertainment/movies/slumdog-millionaire-%28movie%29-ENMV00000245.topic>
film
score, incorporated an array of musical styles into a genre-defying,
160-minute set that saw him blending traditional Indian music with
everything from hip-hop to rock to electronica. One number, "Bharat Humko,"
even hinted at musical theater, sounding like Broadway-by-way-of-Mumbai.

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Dressed in a sharp gray suit, Rahman playfully channeledCharlie
Chaplin<http://www.chicagotribune.com/topic/entertainment/charlie-chaplin-PECLB000936.topic>
on
percussive opener "O...Saya," repeatedly feigning surprise as
colorfully-clothed dancers popped up through various trap doors on the stage
like the fuzzy critters in a Whac-A-Mole game. Indeed, the stage itself was
something of a marvel, capable of transforming from a peaceful river setting
to a gated prison by adjusting a few movable pieces. A curved catwalk also
extended rainbow-like into the audience, allowing Rahman to lead his
eight-piece band on a conga line into the heart of the crowd on a
carnivalesque "Humma Humma."

A trio of supporting singers—Hariharan, Shweta Pandit and Neetii
Muhan—provided additional thrills. Hariharan, his larynx rubber-band
elastic, seemed to pour a lifetime of longing into a sultry "Hai Rama Yeh
Kya Hua," while Pandit and Muhan's voices weaved together like fragile
fabric on the sitar-fueled "Mehndi Hai Rachnewali." Less intriguing were
repeated appearances by rapper Blaaze, who bludgeoned his way through
mindlessly repetitive jams like "Taxi Taxi."

Unsurprisingly, Rahman and Co. sang largely in Hindi throughout, presenting
only a handful of tunes in English. Judging from the overly-sentimental
"Latika's Theme," which sounded like a cornball ballad from a Disney cartoon
("You are the magic in the world I see"), the decision was a wise one.

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