Did the author study the cwg anthem so much that he compares it
with a parachuteless skydive? Does it sound like Ramta jogi?


--- In arrahmanfans@yahoogroups.com, Gopal Srinivasan <catchg...@...> wrote:
>
> Ustad Autoxerox's Aria
> Perhaps it's apt that Rahman sold the scam-tainted CWG a lemon
> SADANAND 
> MENON<http://www.outlookindia.com/peoplefnl.aspx?pid=4224&author=Sadanand+Menon>
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> COMMENTS <http://www.outlookindia.com/article.aspx?266982#comments>
> 
> Anthems are devised to make your spirit soar. When they crashland, they can
> also leave you sore. For some time now, A.R. Rahman has been on song. This
> time the song is on him. His anthem *`Jiyo, Utho, Badho, Jeeto*' takes all
> of four minutes and 16 seconds to expose you to the perils of skydiving
> without a parachute. But then, this is the anthem for the 2010 Commonwealth
> Games and, like many other things connected with this year's CWG, it happens
> to be just another kind of cruel sport.
> 
> The idea of an anthem for sporting events is, it could be argued, to
> foreground a consistent theme as a focal point of the event and to unify the
> audiences with the adhesive of a familiar, infectious rhythm. In the present
> context of a CWG mired in debilitating controversy and hint of sleaze, a
> rousing anthem could have been the talisman to unlock some positive energy.
> 
> But the present offering of India's own Mozart, which was launched with much
> fanfare on August 23, has left even the Group of Ministers unhappy. That
> must be the ultimate ignominy for a composer—that aesthetic cynicism of such
> crass proportions can even affect the GoM, although one suspects it was not
> so much the notations on the music sheet but those on the bill that did the
> damage.
> 
> Even as Oscar hero Rahman was concatenating, at super-speed, his CWG jingle
> that jangles with some of the most pedestrian verses in recent times, he
> also fed in the punchy figure of some Rs 1.37 crore per minute of the song.
> Total: Rs 5.50 crore. In 2006, for the inaugural functions of the Frankfurt
> Book Fair, at which India was the `Guest of Honour Country', a proposal by
> music composer Ilaiyaraja to present a Carnatic raga using a 120-piece
> Western philharmonic orchestra was summarily rejected because of the price
> tag of Rs 95 lakh. But times have changed.
> 
> The funny thing about Rahman's *Swagatham* number this time is that, after
> its recitative first part, with lines as stiff and strangulating as `*Junoon
> se, kanoon se, maidaan maar lo*', the second performative segment breaks
> into a beat that sounds like a rip-off of his own composition `*Ramta Jogi*'
> in the film *Taal*. Obviously, Rahman is now famous enough to plagiarise
> himself and even charge us for it. But the obvious question that needs to be
> asked is: why did he even try? Why did he not simply offer back the
> same `*Ramta
> Jogi*' as the anthem for the CWG? The song has all the right foot-tapping
> ingredients, including oblique references to playful charlatans that would
> have blended well with the CWG.
> 
> Of course, Rahman's anthem cannot be disconnected with the overall plan for
> inaugural and closing ceremonies of the CWG. The fancy committee for the
> inaugural events has for a few months now been grappling with the logistics
> of how to present India in this highly televised event. It is a committee in
> search of a spectacle. The spectacle of a fake, make-believe India populated
> with Bollywood dancers and swirling silks, crooning divas and simpering
> starlets. The last time around, they were thinking of making a
> sound-and-light show using the sacred `Om'.
> 
> It is an India that has no specific location on this planet and is far
> removed from not just the lives, but even the fantasies, of its own people.
> This is an India that is the pet project of its numerous, prospering robber
> barons, who are enabled, time and again, to whisk away some more resources,
> all in the name of an abstract nation.
> 
> That the vulgar Rs 380 crore budget for the opening ceremonies could not set
> aside a few crores for a group of poets in different languages to write an
> appropriate song for the opening anthem tells its own story of gross
> disinterest even in the context of the indefensible. Instead, we have some
> utterly filmy gibberish like:
> 
> *Uthi re ab iraadon mein tapan,
> Chali re gori, chali ban tthan.*
> 
> The lines, as much as the composition, are stolen from some other context.
> So, we believe, is the CWG.
> 
> 
> http://www.outlookindia.com/article.aspx?266982
>


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