Mooqool, Rajen and Symanta,

Thanks for the synopses and commentary. Will be very helpful for me as an
orientation while I attempt to read Anjan's remarkable output. I say
'attempt', because I know it will be very challenging for me to deal with
issues as complex as are being dealt with. But with your help I hope to be
able to navigate my way into what probably is a tour-de-force of the
immensely creative and complex intellects of our ancestors, who attempted
to sort out the meaning of our existence.















At 12:59 PM -0500 11/8/03, [EMAIL PROTECTED] wrote:
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>Dear Sondon,
>
>I have come across the following write up on the book.
>
>
>
>The Myth of Manasa --- The Serpent Queen
>by Anjan K. Nath, Ph.D.
>
>
>
>
>
>
>The concept of a force that binds atoms in molecules, molecules in an
>element, elements in a body, and bodies in the universe as a great
>serpent-like power has been a universal psychological belief amongst the
>intelligentsia of the human race from very early times. In some of the
>mythologies where this concept has been propounded it has been given
>attributes of a positive or male energy, while some others have held that
>it is a negative or feminine phenomenon. And worship of this snake-energy
>was common amongst peoples in different parts of the world, sometimes as a
>divine deity, sometimes as the creative principle, and sometimes as an
>ancestral totem of a clan or tribe.
>Kundalini or Serpent Energy The worship of the snake-energy (often
>referred to as the kundalini ) was prevalent amongst the Vedic Aryans and
>the sect practicing this form of worship were known as the Sarpas and the
>Nagas, and their philosophy of belief known as the Sarpa-Veda. Several
>seers of the Sarpa community composed vedic hymns and the esoteric aspect
>of this cult was practiced by them even in the usual course of their
>rituals. The worship of the Naga or the serpent-power in models of
>physical snakes is still prevalent in different parts of India as in
>pre-historic times, but more so in Bengal and Assam, where she is
>worshiped as a goddess named Manasa. A puranic story has evolved around
>her and lyrics in the local languages are sung with great devotion on the
>occasion of her puja (religious festival). A school of thought holds that
>the worship of the snake-power is of non-Aryan descent and generally
>believed to be of tribal origin or that it has been influenced by
>Dravidian culture; it being argued that the very word Manasa is
>etymologically derived from the Dravidian word, moncha, meaning snake.
>However, it is seen that the concept of the snake-power is profusely
>illustrated in the Rig-Veda and several of the Brahmanas. And the
>prevalence of the "Manasa Song" as a process of realization of the
>ultimate esoteric goal has also been described in Vedic literature. The
>personalities mentioned in the lyrics, connected with the activities of
>Manasa, are really personifications of the various processes for such
>realization.
>It further appears that several of the hymns in the Rig-Veda and the
>Atharva-Veda have dealt with the riddles of creation of the universe in a
>scientific manner which has much in correspondence to modern scientific
>theories. The technical terms used by the Vedic seers, however, were with
>reference to familiar objects. These scientific theories were gradually
>transformed into spiritual concepts and eventually into gods and goddesses
>in the image of human beings, with the result that their scientific values
>have been obscured.
>Creation With regard to the origin of creation, the Vedic seer says that
>the creative energy in the pre-creation stage is tranquil, non-vibrant,
>and non-expansive. This form of existence without any expression is called
>a Bindu, i.e., a point. The inherent attribute in this Bindu is Manas, a
>tendency to emit that which is congealed (dormant or potential), and from
>this Manas, owing to conserved heat of its own, emanates Kama or desire
>which again is evolved as a vibration. The vibration begins with a
>pyramidal cone-like upsurge which is forced up by the internal heat
>together with the forces of Manas and Kama, following which there is an
>eruption through the apex of the cone. Along with this burst evolve,
>sound, a flash of light, and energy which spread out in waves in regulated
>courses giving rise to ingredients for the creation of diverse elements in
>physical life.
>The pyramidal cone, according to the Vedic seer, takes the form of a Gour
>or cow, owing perhaps, to his familiarity with the gorging bellows of this
>animal. He then designates sound, speech, knowledge etc., by the same
>term, Gau, and the forces contained in them as Go-mukhi or that which
>emanates from the mouth of the cow. The waves produced as a result of the
>eruption have been shown as the calves of the cow who draw milk from the
>head of the cow with their feet. The seers��� concept of the three aspects
>of the forces acting within the released energy, viz., tranquil,
>involutionary, and evolutionary have been described as three brothers.
>However, considering the other aspects as being creative, sustaining, and
>limiting or destructive, they have been termed Brahma, Vishnu, and Rudra
>respectively, i.e., electron, proton, and neutron as redefined in modern
>scientific terminology.
>Theoretically, a sound produced in a place is at once detectable in a
>remote part of the world by radio receivers. This means that the energy
>which initially produces the sound is also extant in the received sound.
>Science explains this phenomenon by assuming that sound travels in
>ethereal waves. The Vedic seers��� explanation is that the Manas or mind
>is the root cause and from which emanates desire. This gives rise to the
>vibration and the energy thus evolved causes waves in the ether produced
>out of it. In other words, the Manas has traveled with an energy and all
>its aspects, namely, Manas, desire, vibration, and energy have traveled to
>the distant place and all together have been detected there. The sound,
>otherwise, cannot be detected. It is, therefore, really the Manas that
>travels with her inherent energy and she is hence called Manasa, capable
>of being simultaneously present at the origin as well as in any part of
>the universe. The same theory applies to all creations in the universe. It
>is the Manasa energy which is immanent simultaneously in the minutest dust
>particle as well as in the core of the nucleus out of which this universe
>has evolved. There is, therefore, absolutely no difference between a
>stone, a tree, a dog, a man, and God or Creator so far as the vital energy
>is concerned.
>The Human Body as Microcosm This theory of the physical sciences was
>extended to include the human body also, for the Vedic seer considered the
>human body to be a microcosm of the universe where the various functions
>of nuclear energy with fissions, fusions, chain-reactions, and genesis are
>constantly going on. This concept gave rise to the Yoga cult and Yogic
>spiritualism---they being the direct offshoots of the physical sciences.
>In order to popularize the science, various substances of the practical
>physical world were used as similars. It was first conceived that the
>creative energy enters the frames of creatures by piercing and lodging
>itself in them thereby imbuing the latter with all tis attributes, just as
>an arrow (Bana) pierces a body. From this analogy, he was called Bhaga,
>and then Bhaga-Bana; the person who was believed to have been imbued
>profusely with the piercer���s attributes was also called a Bhaga-Bana and
>revered as a personal god.
>It was next considered to be like a column (stambha) that pierces through
>the universe including all that exists. The column is vertical and
>protruding beyond the apparent universe on both ends. It is a limitless
>coulmn.
>The sound-controlling energy was considered to be the supreme creative
>energy. Its transcendent aspect was called Siva and the dynamic aspect,
>Rudra, both being adorned with serpent-energies. He was identified with
>Bhaga and the column and was also considered to be piercing and pervading
>the whole universe, just like the ethereal wave column known to modern
>science. As a practical symbol of this wave column theory, a round stone
>pillar piercing a circular block and protruding both ways was put up
>before the lay people as a practical model. This came to be known as the
>Shiva-Lingam, now wrongly construed by scholars as an emblem of phallic
>worship of aboriginal origin.
>The universe is believed to be built up in spheres and a sphere is called
>a lotus (padma) or a wheel (chakra). Siva, with his Rudra aspect, has been
>honored as a god even in the Vedas, and when he was identified with the
>Bindu or nucleus, the universe was construed to have evolved out of the
>fall-out of the emanation from him. This has been explained by saying that
>Siva���s sperm was ejaculated on a lotus which in turn percolated through
>its stalk and travelled to the nether world, i.e., to the lowest end of
>the universe, and lodged itself in naother lotus where it was held by a
>snake-power. It then evolved as Manasa, the Serpent Queen.
>As noted earlier, the Vedic seer considers the human body to be an exact
>replica of the universe. He, therefore, can look deeper into the physical
>aspects of the primordial energy and relate its behavior to his own body.
>Manas, the inherent attribute of the nuclear energy is his mind while Kama
>or desire, is his desire or intuition. The vibration attended with the
>force and the sound are the beatings of his heart. Placement of the Manas
>with the creative energy in his body is a coiled serpent-power known as
>the kundalini. His self is in direct communication with the sun, the moon,
>and the primordial nucleus through an axial core of his vertebral column
>which is linked with the fontanelle in the vortex of his skull, and which
>in turn is in touch with the universe.
>The Vedic seer realizes that when the first vibration starts, there is the
>sound, the flash, and the thrill. The flash is a woman and the sound a man
>while the thrill is their love. It is due to this love that they unite.
>When, however, the sound is exposed, i.e., audible, the flash appears and
>vanishes like lightning; both suffer the pangs of separation and yearn for
>re-union. The same flash is extant in every aspect of creation, for, every
>atom that constitutes a body is nothing but a conglomeration of
>vibrations. The sound is not a distinct sound, but lying dormant in the
>core (pura) and is a male. Just as there are the positive and negative
>aspects of every substance, so also a substance exists with the attribute
>of self-expression only when the flash and the sound principles or Urvasi
>and Puru-Rava, or Radha and Krishna are in union. In physical creation,
>however, they remain in such a way that one neither recognizes the other
>nor its own self.
>Love and Union The flash and the sound are scattered all over the universe
>though in constant union and love. The greatest and the most thrilling
>union and love, however, are those of the preparatory stage of the
>primordial vibration when both the flash and the sound are about to be
>evolved. If a physical simile is to be cited to explain this, it is
>comparable only to the experience of the moment just prior to orgasm in
>sexual union between a male and female.
>The Vedic seer explains the phenomenon of the preparatory stage of the
>evolution of the sound and the flash at the beginning of creation as an
>amorous union between Puru-Rava, a king, and Urvasi, a dancing nymph. The
>same is expressed in later times as the love and amorous union between
>Anirudha and Usha, Satyavana and Savitri, Krishna and Radha, and lastly,
>between Lakshindara and Behula. According to the Yoga cult and its
>spiritual philosophy, the same has been expressed as the union of the
>Vikshipta or non-restrainable aspect of the mind with philosophic vision.
>The question then arises as to how to arrive at the primordial thrill? The
>problem of who is to take the initiative? Puru-Rava or Urvasi, Krishna or
>Radha, Lakshindara or Behula, in other words, sound or flash, mind or
>philosophic vision? It has been found by the experience of the Vedic seer
>that if sound is active first, the flash appears but plays the flirt and
>vanishes like lightning leaving the sound to moan and run after her all
>over the universe as is noticed in the case of the lightning and the
>thunder developed in the clouds. If, however, the sound can attain an
>absolute non-vibrant state, the flash will have nothing to play with or
>rest by and simply pine as it were and herself seek shelter in the lap of
>the sound coaxing him to vibrate. This is to say that Radha will run to
>Krishna to dally with him, Savitri will run to Yama to revive Satyavana,
>and Behula, alias Usha, will undertake the arduous journey to God���s
>abode to have Lakshindara brought back to life.
>Every human being has two sources, namely, the sun and the moon, from
>which to draw energy and vitality respectively. The moon is Chandra and
>the male sperm is also known as "chandra". As models of the heavenly
>bodies, he has abodes of these planets in his brain or the upland city
>Ujaninagara, i.e., he is Chandradhara. Normally, his reality is shrouded
>in the spirals through which the pure energy passes and he becomes a petty
>barterer, busy trading with his fourteen organs (including the four mental
>aspects) and seven dhatus. This leads him to ruin, though his true self is
>beyond decay and death, having been evolved out of Manasa. He, however,
>does not recognize this unless his Anirudha mind becomes non-vibrant,
>i.e., killed, and the philosophic vision, Usha, takes him to the divine
>sphere.
>The Manasa cult is one of the most ancient of the Vedic cults, having as
>its basis the fundamentals of nuclear science. The different branches of
>Indian philosophy are more or less its off-shoots with the Yoga sect being
>at the forefront in the practice and promulgation of the esoteric art of
>harnessing the serpent- power, kundalini, towards realization of the
>philosophic vision that is necessary for attaining the divine sphere.
>
>
>
>
>
>The analysis on the above chapters is indeed thought provoking. If you
>have not read the piece, I trust you will find it useful.
>
>
>
>
>Regards and best wishes.
>
>Yours,
>
>Mooqool
>
>
>
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