darrenyeats wrote: 
> You can hear modern levels of compression easily on a portable radio.
> It's that bad. And it's not talked about widely enough - if it was
> perhaps we'd have less of it.
> 
> A great many playback systems have a significant dip in the mid-range
> (don't get me wrong, no system is completely flat and if you're going to
> err then a slightly dipped mid-range is the way to err--I'm talking
> about deliberately designed voicing.) Domestic designers do this mainly
> because so much music is compressed and it's more palatable that way.
> 
> So, checking what their recording sounds like on "representative
> equipment", the artists use compression to "cut through" a mix and the
> circle is complete. It's a race to the bottom.
> 
> It's like everyone's given up. One chink of light is THX certification
> which has definitely helped better mastering of soundtracks and filmed
> concerts. The difference between these and the equivalent CDs is
> sometimes striking.
> Darren

Goes in line with I try to say I'm not out for perfection , then I would
only by sterile audiophool records but just not the race to the bottom
.

But if OP has not gone away , I have not had B&W speakers but if they
are hard to drive as claimed there could be something in what people
says about amps in this case , does it sound unpleasant on high or low
volumes ? or all the time .
Overdriving the amp gives a fatiguing sound .
I did have some  old floor standing dynaudios they where not happy with
anything but 200-400 wpc . Hi-Fi history have produced many speakers
that are some kind of anomalies that makes life very hard for the amp .


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