Hi again, everyone!

> MS Barbe has 19 pieces in F#m, 10 pieces in E minor, and 6 pieces in Bm.
> Four sharps in d minor tuning would be challenging.  When I saw H. Smith
> play BWV 1006a in California some years ago, he stated that he had
> transposed it to F major.  I am not aware of any 17th century French sources
> with pieces in E major.

Kohaut and Falckenhagen composed lute concertos in E-major, if I remember 
correctly. Falckenhagen also composed a solo sonata in E-major.

Jakob Lindberg and Lutz Kirchhof have recorded BWV 1006a in E-major, but 
most lutenists of course transpose it to F-major.

>> Danny,
>>
>> Good question.  The French baroque lutenists do use F# minor a lot....
>> Gaultiers, Gallot, deVissee, DuBut, Emond, Pinel, de St.Luc, and Mouton use
>> it a great deal.  Also, for the Germans, leSage de Richee (is he German?)
>> and Bittner use this tuning as well.  Weiss did compose some earlier F#
>> minor pieces, I think in Vienna.  It was known as the "goat's tuning", and
>> it was well utilized.  There are many recordings of this key, namely French
>> baroque lute recordings by Hoppy (his V & D Gaultier, Mouton, Gallot
>> recordings).  The extant piece by Pachelbel is in F# minor as well
>> (recorded by Bailes).  Toyohiko's French recordings are loaded with F#
>> minor pieces.
>>
>> B minor is a different subject.  Bittner opens his book with a suite in B
>> minor, but I know of no others, with exception to the 1st violin Partita by
>> JS Bach.  Although it is not lute music, many have done it on lute.  Most
>> have transcribed it to a minor, however.
>>
>> So you are correct about B minor, but F# minor is very common, and a
>> favorite tuning of many.
>>
>> Take care, Danny.
>>
>> ed
>>
>> PS - does anyone know of other pieces in B minor?

http://www.clivetitmuss.com/lutebook_details.asp?Id=8#1


mvh
Are Vidar Boye Hansen



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