So many players interpret the comma ornament as an appogiatura in a measured way. If this is correct, why didn't the composer just write a note?Ed Durbrow Saitama, Japan [EMAIL PROTECTED] http://www9.plala.or.jp/edurbrow/ To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
C.P.E. Bach wrote that in the appogiatura, the dissonance should be held
AT LEAST half the value of the written note. Most preformers cheat on this,
making these "graces" sound more like annoying speach impediments. Even more
annoying, I also hear single comas played as trills. We all need to listen
to good keyboard interpretations of music from our time period and
geographical region of choice. There are a lot of good keyboard players. Not
so many lutenists.
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