Arto,

Better not wait until a miracle will happen. The easiest way, and widely 
accepted now, to have a new piece of music is to commision it. It's not that 
expensive as one might think. From time to time I hear of a colegue of mine 
that is asking a professional composer, or a music festival commisiong a new 
work for the next edition. I've heared in Germany there is a special fund for 
this kind of initiatives at the Deutscher Musikrat.

Of course it is risky, but that only encourages one to gain better orientation 
in what's possible. Most of the composers don't present Beethoven's like 
attitude and are open to one's expectations. However, they like to take care of 
the future presentation and also do not like to risk a poor performance. So it 
is in a way a subtle interplay between parties, nevertheless quite real and 
brings fruits from time to time, of what I was witness not once.

If I remember well, Julian Bream in his "Way on the road" recounts he used to 
pay for a new composition a tipical monthly salary, if -- say -- the process of 
composition would take a month of time. My friends are paying even less to 
their friends. It all amounts to profesionalism and good will.

I should also say Scandinavia is famous for its traditions for modern music. 
Perhaps Jacob Lindberg or Rolf Lislevand has some experience.

J
----

On 2010-10-09, at 15:17, wikla wrote:

> Hi all, 
> 
> definitely my intention was not to insult Roman! I think Roman knows that,
> but perhaps not all other? I do know only a tiny portion of Roman's huge
> output, but still I have seen many beautiful pieces he has composed or
> arranged. And they also work well on the instrument.
> 
> My aim was more general: Should there be new music for our old instrument,
> what kind of music, ... I was not especially asking for "modern music" in
> the sense of 1950's and 1960's trends. Not at all. Neither was I asking for
> music that doesn't stylistically differ from the "original" baroque.
> 
> Actually it is quite difficult to say, what I asked, because I really do
> not know! If I could, that music wouldn't be new! So I guess best I can
> say, I would like composers to try their hands in writing to the baroque
> lute. Without me saying what kind of music that should be. Well, of course
> I can say: it should be good music... ;-)
> 
> All the best,
> 
> Arto
> 
> 
> 
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