There is more music available at Trekel.de
https://www.trekel.de/cgi-bin/shop/front/shop_main.cgi?func=det&wkid=&rub1=Noten%20%2D%20Sheet%20music&rub2=Noten%20Zupfinstrumente%20%2D%20Plucked%20Strings%2CNoten%20Laute%2CTabulaturen%20f%FCr%20Laute%20Vihuela%20Barockgitarre%20u%2Ea%2E&artnr=2862&pn=0&sort=&partnr=1914&all=

Hagen's Solo Works cost 21.50 Euro BTW ....
Thomas

Am 21.10.2010 01:29, schrieb Dale Young:
yes. Hagen's solo sonatas are available @ http://www.saulbgroen.nl/cat/lutaz7.htm He wrote only for 13 (gut) string, or course, theorbo-lute.
----- Original Message ----- From: "wikla" <wi...@cs.helsinki.fi>
To: "Dale Young" <dyoung5...@wowway.com>
Cc: <baroque-lute@cs.dartmouth.edu>
Sent: Wednesday, October 20, 2010 4:07 PM
Subject: Re: [BAROQUE-LUTE] Richness of our repertoire!


Thanks Dale

for your very interesting comment! Falkengagen being WFB and Hagen being
CPEB of lute really changed my view of those two. Especially this Hagen
case must be checked! Any idea where to find Hagen facsimilies?  And
anything by him to 11-courser? I guess not. Or neither for 13-course
"non-swan-necker"?

Arto


On Tue, 19 Oct 2010 19:31:51 -0400, "Dale Young" <dyoung5...@wowway.com>
wrote:
Arto,

    So beautifully stated.
 I have been absorbed in the study of the Augsburg Manuscript for 38
years
and it still fascinates me. Not unlike fractals, Mendelbrot sets, (god
rest

his soul) the more intensely you focus, the more complexity you find.
Many
players dismiss Falckenhagen's works as light and simplistic. If they
were
to delve deeper into the ethos and pathos of the era, they would find an
incredible wealth of wit and charm along with some stunning technical
advances. He truely was a genius of the Galant Lute. If you doubt his
mastery of the instrument, just try to play through his Prelude sur tutti
i

toni muscali. It is an exhaustive display of the breadth of possibilities

available on the lute.
If there were not Falckenhagen, the Friedmann Bach of the lute, there would be no "B.J. Hagen", who was the (C.P.) Emanuel Bach (the father of modern music) of the lute...the junior member of the "Falckenhagen Gang",

The Enfant Terrible of the Empfindsammer Laute.
May the lute and its vast array of music continue to rip our hearts

out and display our better angels to the world.
----- Original Message ----- From: "wikla" <wi...@cs.helsinki.fi>
To: <baroque-lute@cs.dartmouth.edu>
Sent: Friday, October 15, 2010 4:30 PM
Subject: [BAROQUE-LUTE] Richness of our repertoire!


Dear baroque lutenists,

isn't is amazing how huge and day by day widening our repertoire is! We
have the early heroes as the Gaultiers (at least 3 of them), we have
Dufault and such, we have Mouton and such. Then we have the more or less "Austrian", but French oriented noblemen - at least their King, Kaiser, was living in Wien - like Losy, Dix and those guys. And then the lonely
Reusner. Then we have the Polish gang and folks from Prague. We have
also
some guys in Sweden. Etc., etc...

And of course we then have also the late and vanishing baroque names
like
Weiss and even a little bit of Bach-the senior, and then nearing the
rococo
Falkenhagen and his gang. And even Haydn happened to make a couple of
ditties to our instrument...

What really is also interesting, is that we are getting more and more
music:

1) After the Soviet rule in the eastern Europe the sources/museums
little
by little seem to open and publish their trasures. I suppose we'll have
lots of more mss. and stuff, after they'll have time to search, what
there
really is in every town museum... The Hapsburger Empire huge...

2) There _is_ also new music to our instrument, and there will be
more...
Ethnic, "modern", and something else(?). Especially waiting for the new
ideas, well sounding ideas...

All the best,

Arto




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