Dear Arto and lute friend, Following our discussion / your suggestions earlier this year, on Friday last week I received a Q3 handy recorder. I started it immediately and produced my very first video ever. Sitting in my study room I played an anonymous sarabande from the Vienna lute manuscript Mus.Hs.17706 (A-Wn17706).
I experienced difficulties in converting the MOV file into AVI or WMV. So I am uploaded the 2 min MOV file to YouTube: http://www.youtube.com/watch?v=CwCG6zMIrvg I look forward to anyone's comment and suggestion. Yours, Bernhard from Vienna -----Ursprüngliche Nachricht----- Von: wikla [mailto:wi...@cs.helsinki.fi] Gesendet: Mittwoch, 13. Oktober 2010 13:00 An: B. Fischer Cc: Arto Wikla Betreff: Re: AW: AW: [BAROQUE-LUTE] Corrrecting mistakes and mistaking corrections... Wichtigkeit: Niedrig Hi again, I forgot to answer your second question. In the beginning of my page http://www.cs.helsinki.fi/u/wikla/mus/11_courseLute/ I explain what I know of recording. And that is not much... Of using the YouTube you'll find advice on their pages, lots of info... best regards, Arto On Wed, 13 Oct 2010 10:53:48 +0200, "B. Fischer" <b.fisc...@apeptico.com> wrote: > Dear Arto, > > Thank you for your response. > Your play of the Sarabande La Mignone is very nice. > Please find attached another La Mignonne: Courante by D Gaultier. > > Could you please send me the tabulatur to your Sarabande please. > > I have never recorded my play: Could you please advise me how to do > this. And how to deposition it at YouTube. Would I need specific > equipment? > > Kind regards, > Bernhard > > -----Ursprüngliche Nachricht----- > Von: wikla [mailto:wi...@cs.helsinki.fi] > Gesendet: Mittwoch, 13. Oktober 2010 10:07 > An: Bernhard Fischer > Cc: Arto Wikla > Betreff: Re: AW: [BAROQUE-LUTE] Corrrecting mistakes and mistaking > corrections... > Wichtigkeit: Niedrig > > Dear Bernhard, > > thanks for your comments. I already thought nobody is interested. Some > answers below: > >> Thank you very much for your critical review of "La Mignonne" by >> Dufault. (There exist also a "Mignonne" from Gaultier). > > Yes. And a very beautiful one! I made a try on it in last Febrary, see > http://www.youtube.com/watch?v=w-kXRdzDrBs > >> I have made the experience that different writers of tablature >> manuscripts (which survived until today) one and the same piece >> down-wrote within a range of modifications. > > Yes, that is very educating to compare those; for ex nice to see that > some > use the "separee" line between two notes and another writes the notes > separately in smaller note vales. > >> Question to your recoding / general: How do you know that "," (comma) >> eg. after a or c (a, or c,) or similar, is interpreted as a-c-a or > c-e-c >> (respectively) OR as c-a or e-c (respectively)? In case that a or c > are >> dotted notes (3/2 or 3/8), what will be the duration of the "pre-note" >> compared to the main note? > > I think the general interpetation of "," at least in French baroque is a > grace starting from the upper note (sorry, my knowledge of English music > terminology is limited, is that "upper auxiliary"?). > > So "a," woud mean something like c-a, c-a-c-a; or b-a, b-a-b-a, > depenging > on key, of course. > I think also that many think the first note of, let us say, c-a should > be > longer than the main note. > > There are translations preferaces of several 17th century lute books, > mss. > in > * Stefan Lundgren's Baroque lute companion, and > * JLSA XXXVI (2003), George Torres: Performance Practice Technique for > the > Baroque Lute: An Examination of the Introductory Avertissiments from > Seventeenth-Century Sources. > > Very interesting article! > > Best regards, > > Arto To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
