Does he really also sing?! Arto
On Fri, 02 Dec 2011 14:19:05 -0500, "Roman Turovsky" <r.turov...@verizon.net> wrote: > And speaking of such truly accomplished singers as Karamazov: > He tends to have 4-6 archlutes on hand, for various minute instant > adjustments of performance. > RT > > > ----- Original Message ----- > From: "Roman Turovsky" <r.turov...@verizon.net> > To: "Baroque lute Dmth" <baroque-lute@cs.dartmouth.edu>; "lute mailing list > > list" <l...@cs.dartmouth.edu>; "howard posner" <howardpos...@ca.rr.com> > Sent: Friday, December 02, 2011 2:07 PM > Subject: Re: [BAROQUE-LUTE] Re: Male alto in Lute songs? wasTransposing > lute > tablature on sight > > >> The "most-accomplished players" are usually the ones own several >> variously >> pitched lutes, for said occacions. >> RT >> >> ----- Original Message ----- >>> On Dec 2, 2011, at 10:48 AM, Nancy Carlin wrote: >>> >>>> A while back on the lute list there was a link to Hector Sequera's >>>> dissertation about Paston - very interesting. It's 100 years earlier, >>> >>> Actually, Paston, being Elizabethan, is the period we're talking about. >>> You were led astray by my example of Handel in 1729; I brought it up >>> because it's different from the subject under discussion. >>> >>>> but goes into a lot of detail about the various keys in the Paston >>>> manuscripts and the sizes of lutes that would have been available to >>>> Paston. It's pretty clear that Paston would have gotten out a >>>> different sized lute rather than transposing. >>> >>> As would all but the most accomplished players. >>> >>> >>> >>> >>> >>> To get on or off this list see list information at >>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html >>> >>
