Dear Andreas,
Henry is a shadowy figure to me amongst guitarists active in Paris at
the time - do you have any information about him?. His Methode must
have been reasonably popular since it's the 3rd edition and up against
a great deal of competition in Paris at the time (1826) - and it's his
Opus 71 too!
And thank you for putting music from your collection on line. I'm
particularly interest at the moment in works expressly conceived for
the Spanish six course guitar - do you have anything? - in particular
eighteenth century such music. I've got stuff by Ferandiere 1799 of
course and a few works by Laporta (in Biblioteca Hist Madrid) as well
as pieces preserved in De Gistau's Journal, presumably originally for
the Spanish six course instrument (?), by people like Soler, Martinez,
Arizacochaga et als. But there seems a lacuna of such works in Spanish
sources - have they really all been lost?
regards
Martyn
__________________________________________________________________
From: Andreas Schlegel <lute.cor...@sunrise.ch>
To: lute list <l...@cs.dartmouth.edu>; Baroque Lute List
<baroque-lute@cs.dartmouth.edu>
Sent: Sunday, 8 October 2017, 19:19
Subject: [BAROQUE-LUTE] Anthony Bailes paper in "The Lute" - and my
holiday work
Dear lutefriends,
I saw in Anthony Bailes' wonderful article "The Bowe that is too much
bent, breaketh"; The pitch of Miss Burwell's lute, reconsidered, in:
The Lute LIV (2014), p. 1-35, some references to the website
"accordsnouveaux.ch" which was for years available only in German.
This was a sign to work today on Francois-Pierre Goy's and my homepage
and I'm happy to announce that a good part of the website is now
available in English, too.
During the last months, Joachim Lüdtke worked on translations and I
had now the opportunity to put the texts online - and to make all the
links... But at some pages, the graphical result is not convincig...
and I can't say where the mistake comes in.
The missed sites will come soon, I hope.
There are some special topics:
Horaz:
[1]http://www.accordsnouveaux.ch/en/Authors/AS/Horaz/Horaz.html
Tunings / accords:
[2]http://www.accordsnouveaux.ch/en/Authors/AS/Judentanz/Judentanz.html
[3]http://www.accordsnouveaux.ch/en/Thesis/Tunings%20Survey/TuningsS.ht
ml
[4]http://www.accordsnouveaux.ch/en/Thesis/TuningsC/TuningsC.html
La Rhétorique des Dieux:
[5]http://www.accordsnouveaux.ch/en/RdD%20Intro/Bremen/Bremen.html
[6]http://www.accordsnouveaux.ch/en/Authors/AS/AS.html
scroll down to "Publications"
Bullen Reymes (F-P. Goy):
[7]http://www.accordsnouveaux.ch/en/Thesis/Writers/Writers.html
Swiss sources:
[8]http://www.accordsnouveaux.ch/en/SourcesCH/SourcesCH.html
Benzenauer
[9]http://www.accordsnouveaux.ch/en/Authors/AS/AS.html
scroll down to "Publications"
The "Rodauer Lautenbuch" (D-Fschneider Ms 45)
[10]http://www.accordsnouveaux.ch/en/RodauLB/RodauLB.html
Guitar music:
[11]http://www.accordsnouveaux.ch/en/GuitarLit/GuitarLit.html
Enjoy!
And if you see errors, please give an advice. Thanks!
Andreas
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References
1. http://www.accordsnouveaux.ch/en/Authors/AS/Horaz/Horaz.html
2. http://www.accordsnouveaux.ch/en/Authors/AS/Judentanz/Judentanz.html
3. http://www.accordsnouveaux.ch/en/Thesis/Tunings Survey/TuningsS.html
4. http://www.accordsnouveaux.ch/en/Thesis/TuningsC/TuningsC.html
5. http://www.accordsnouveaux.ch/en/RdD Intro/Bremen/Bremen.html
6. http://www.accordsnouveaux.ch/en/Authors/AS/AS.html
7. http://www.accordsnouveaux.ch/en/Thesis/Writers/Writers.html
8. http://www.accordsnouveaux.ch/en/SourcesCH/SourcesCH.html
9. http://www.accordsnouveaux.ch/en/Authors/AS/AS.html
10. http://www.accordsnouveaux.ch/en/RodauLB/RodauLB.html
11. http://www.accordsnouveaux.ch/en/GuitarLit/GuitarLit.html
12. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
