De: Chagas Lourenço chlb...@gmail. com




 
 





Canção do Exílio Araqueado

(Imitação burlesca)
Minha terra tem besteiras,
Quantas asneiras têm lá;
Bloomsdays e Exuperys
À sombra de um baobá.

Nosso céu tem mais fumaça
Do que no Beco da Lama,
Nossos vates mais produzem
Quando encostam um chara à chama.

Cismando, sozinho, à noite,
Se mais grana encontro eu lá;
Minha terra tem jornais
Onde se arranja o jabá!

Minha terra tem horrores,
Que tais não os vejo por cá;
Em pensar – noite e mais noite –
No que vou fazer por lá;
Minha terra tem besteiras:
Me agarro com o baobá!
 
Não permita Alá que eu corra
Dos imbecis que tem lá;
Sem que malhe os capadócios
Que não encontro eu por cá:
Bloomsdays e Exupérys
Arrenego, quá-quá-quá...!
 
 
Laélio Ferreira
junho/2009 

--- Em qui, 18/6/09, ROSELIS <[email protected]> escreveu:













Orf, 
Muito interessante essa pesquisa se tiver mais me mande tenho interesse em 
conhecer.






   Roselis Medeiros 


--- Em qui, 18/6/09, Ørf <[email protected]. br> escreveu:













Scale-Free Music of the Brain

Dan Wu 1, Chao-Yi Li 1,2, De-Zhong Yao 1
1 Key Laboratory for NeuroInformation of Ministry of Education, School of Life 
Science and Technology, University of Electronic Science and Technology of 
China, Chengdu, China, 
2 Center for Life Sciences, Shanghai Institutes for Biological Sciences, 
Chinese Academy of Sciences, Shanghai, China

Abstract
Background
There is growing interest in the relation between the brain and music. The 
appealing similarity between brainwaves and the rhythms of music has motivated 
many scientists to seek a connection between them. A variety of transferring 
rules has been utilized to convert the brainwaves into music; and most of them 
are mainly based on spectra feature of EEG.
Methodology/ Principal Findings
In this study, audibly recognizable scale-free music was deduced from 
individual Electroencephalogra m (EEG) waveforms. The translation rules include 
the direct mapping from the period of an EEG waveform to the duration of a 
note, the logarithmic mapping of the change of average power of EEG to music 
intensity according to the Fechner's law, and a scale-free based mapping from 
the amplitude of EEG to music pitch according to the power law. To show the 
actual effect, we applied the deduced sonification rules to EEG segments 
recorded during rapid-eye movement sleep (REM) and slow-wave sleep (SWS). The 
resulting music is vivid and different between the two mental states; the 
melody during REM sleep sounds fast and lively, whereas that in SWS sleep is 
slow and tranquil. 60 volunteers evaluated 25 music pieces, 10 from REM, 10 
from SWS and 5 from white noise (WN), 74.3% experienced a happy emotion from 
REM and felt boring and drowsy when listening to SWS, and
 the average accuracy for all the music pieces identification is 86.8%(κ = 
0.800, P<0.001). We also applied the method to the EEG data from eyes closed, 
eyes open and epileptic EEG, and the results showed these mental states can be 
identified by listeners.
Conclusions/ Significance
The sonification rules may identify the mental states of the brain, which 
provide a real-time strategy for monitoring brain activities and are 
potentially useful to neurofeedback therapy.
Source: PLoS One [Open Access] [Inlcudes Six Audio recordings]
http://www.plosone. org/article/ info:doi/ 10.1371/journal. pone.0005915
Posted by
Robert Karl Stonjek




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