Ountry, leaving its traces behind it for ever. [Illustration:
A BRETON CALVARY.] The church of St. Melaine is the only one deserving

a passing notice. It is in the third Pointed style, and, built on an
eminence, is approached by a somewhat imposing flight of steps. A narrow
thoroughfare leads up to it, and the nearer
houses are inhabited by the priests and other members of the religious
community. The porch and windows are Flamboyant, and
a little of the stained glass is good. The interior is divided
into three naves by wooden partitions, consisting of pillars without
capitals supporting pointed arches. The wall-plates represent
monks in grotesque attitudes: portraits, perhaps, of those who inhabited
the Priory of St. Melaine of Rennes, to
which the church originally belonged. The basin for holy water between
the porches has a very interesting cover; but still
more remarkable is the cover to the font, an imposing
and elegantly sculptured octagonal work of art
of the Renaissance period, raised
and lowered by means
of pulleys. The organ case is also good; and having said so much, there
is nothing left to recor

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