On Nov 18, 2007, at 8:01 AM, Robert Seeberger wrote:

> http://johnaugust.com.nyud.net:8080/archives/2007/why-writers-get- 
> residuals
>
> My friend Jeff often jokes (half-jokes, I think) that he wishes he got
> residuals on spreadsheets he made in 2003. He's articulating a
> familiar frustration: Why should screenwriters get paid extra money
> years after they finish their work? After all, plumbers don't get
> residuals. Neither do teachers, secretaries or auto workers.
>
> So I want to explain why writers in film and television get residuals,
> and why they're at the heart of the ongoing WGA strike.

August seems to put a lot of weight on the fact that the writers sell
authorship to the studios, including those working in the relatively
more stable and relatively more "production-line" environment of TV
writing, saying "the same basic machinery applies to adaptations or
television shows. Staff writers sign contracts which perform similar
legal judo, making their words the company’s words."

Turns out that virtually everybody in Silicon Valley signs that same
contract: their code is the company's code -- and they don't get
royalties on every copy of Powerpoint or every web-hit or every time
some kid plays (or even buys) a copy of Need for Speed Pro Street.

Those who choose to do "work for hire" -- including television writers
on strike now -- have decided to work on the safer end of the
risk-reward continuum. Like those of us who studied writing in college
and subsequently "sold out" to become writers for corporations -- the
most sold-out of us as technical writers like I was -- those writers
have made a "safe" choice and will be compensated more meagerly as a
result.

I don't think that the writers on strike are greedy millionaires, but I
do think they are people who made a "safe" choice but still want the big
bucks they'd have been in line for if they'd only taken the big risks.

In his argument, August also compares royalties and residuals to stock
options. More like being granted stock, not options.

Dave

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