Am Dienstag, 28. Dezember 2010, um 15:14:05 schrieb David Kastrup: > Reinhold Kainhofer <reinh...@kainhofer.com> writes: > > I would be great, though, if anyone can find a published example of such > > a situation (most likely in e.g. cello/bassoon parts/scores, which > > frequently switch between bass and tenor clef). > > Edition Peters, piano excerpt by Brissler from Mozart Requiem, > "Confutatis". The g in the corni di bassotto entry is not even in the > same octave, and still gets a natural.
Also, in the Bärenreiter piano reduction of Bach's Christmas oratorio, measure
7 of the Choral Nr. 23 ("Wir singen dir"), p.72 of Bärenreiter BA 5014a.
There is a dis' in treble clef, followed by a d in bass clef. That d gets a
natural cancellation.
Cheers,
Reinhold
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Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
* Financial & Actuarial Math., Vienna Univ. of Technology, Austria
* http://www.fam.tuwien.ac.at/, DVR: 0005886
* LilyPond, Music typesetting, http://www.lilypond.org
<<attachment: Accidental_ClefChange.png>>
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