Hello Bev!
I'm dancing in Denver-Boulder-Fort Collins this weekend, so only time for a
short note -

I echo some of David's comments.....

How about focusing on the beauty of a coutesy turn, flowing nicely into a Left
Hand Star? (one of my favorite combo of figures at the moment!).  I think so
much is lost by twirling / getting twirled in those courtesy turns.  

I noticed last nite in Denver that there were MANY great courtesy turns which I
loved!

off my soap box, for now,

Karen Fontana

--- David Millstone <[email protected]> wrote:

> Bev outlined some excellent strategies for her upcoming workshop, and asked
> for
> additional suggestions.
> 
> As a challenge, how about calling a dance with traditional figures and asking
> those present to dance it without embellishments? Could be a contra corners
> dance (four counts for each turn, leaving no time for extra twirl before the
> balance and swing. Could be something with right and left over and back, four
> counts to cross and four counts for a courtesy turn-- yes, four for each,
> does
> make you slow down a little, rather than doing an extra twirl around simply
> because there's time to do it if you race through the figures. Could be
> somethng
> with ladies chain over and back and a pleasant courtesy turn on both sides.
> Could be a dance (older version of Petronella, say) where for nearly 3/4 of
> the
> dance the inactives are truly inactive and need to stay engaged while
> resisting
> the temptation to squeeze in extra swings.
> 
> My point? One way the more experienced dancers befuddle the newcomers is by
> demontrating every possible embellishment, so that newer dancers don't have
> an
> opportunity to learn the basics. If all you see on down the center four in
> line
> is a California twirl, you don't learn the timing of a courtesy turn to
> return.
> If all you see for balance is Variation #27b with additional syncopated foot
> stomps on the afterbeat, you don't learn a simple pas-de-basque or step-kick.
> If
> a swing inevitably ends with an extra twirl-the-lady-under, you don't learn
> to
> get your balance and your orientation for the ensuing ladies chain.
> 
> In short, one way experienced dancers can best help new dancers is by dancing
> better-- uh oh, there I said it!-- themselves.
> 
> David Millstone
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