Hi Maia,
A balance, ideally, is first toward, then away from, the dancer with whom one 
is about to interact, and even better if it is in, then against, the flow of 
movement.  Even better if the choreography does the work for you by flowing 
into the balance.  
In this particular dance, you have the best of all worlds, but I slightly 
disagree with your preference.  
The Allemande R has everyone flowing forward.  The flow of the Allemande L is 
also, fundamentally, forward.  In my opinion, a balance (gently) forward, and 
back, is ideal.  The choreography helps a little with a left first lean as you 
reach for the next person's L hand.  But in this case, I think the safe teach 
is for both balances to be forward and back.  Noting before you say F&B, that 
body flow is supported by that choice helps mark it in people's minds.  To 
further get people's minds away from the R balance, I'd not say R after the 
word balance at all, even if you decide to go for L instead of back..  You want 
them to only have in their heads words which reinforce the movement you want.  
Well worth the extra moment to emphasize the gathering of LEFT hands with the 
next, and letting the body flow of the forward movement of the first Allemande 
to go into the balance Fwd.  
if the following move had been, for example, a Rory o More, I would have 
completely agreed with the L balance, FWIW.  Body flow is partly there getting 
in, and the person you are interacting with and eventually moving past is on 
the L.  
Good question.
Best,
Andrea

Sent from my external brain
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